Roy Buchanan
Band members Related acts
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1972 line up: - Rob Buchanan (RIP 1988) -- vocals, guitar - Ned Davis -- drums - Dick Heintze -- keyboards, backing vocals - Teddy Irwin -- rhythm guitar - Chuck Tilley -- vocals - Peter Van Allen -- bass
1973 line up: - Rob Buchanan (RIP 1988) -- vocals, guitar - Ned Davis -- drums (one track) - Dick Heintze -- keyboards, backing vocals - Teddy Irwin -- rhythm guitar - NEW Jerry Mercer -- drums (replaced Ned Davis) - NEW Don Payne -- bass (replaced Pete Van Allen) - Chuck Tilley -- vocals
1974 line up: - Rob Buchanan (RIP 1988)-- vocals, guitar - NEW John Harrison -- bass, backing vocals (replaced Don Payne) - NEW Dick Heintze -- keyboards, backing vocals - NEW Robbie Magruder -- drums, percussion (replaced Jerry Mercer)
1975-76 line up: - Rob Buchanan (RIP 1988) -- vocals, guitar - NEW Byrd Foster -- drums, vocals (replaced Robbie Maguar) - John Harrison -- bass, backing vocals - NEW Will Lee -- bass (1976) - NEW Malcolm Lukens -- keyboards (replaced Dick Heintz) - NEW Robbie Magruder -- drums, percussion (replaced Jerry Mercer) - NEW Andy Newmark -- drums (1976) - Billy Price -- vocals
1977 line up: - Rob Buchanan (RIP 1988) -- vocals, guitar - Stanley Clarke -- bass, flute - Steve Cropper -- lead, rhythm guitar - Donald Duck Dunn -- bass - David Garibaldi -- drums, percussion - Ray Gomez -- rhythm guitar - Jan Hammer -- keyboards - Will Lee -- bass - Malcolm Lukens -- keyboards - Scott Musmanno -- vocals - Dennis Parker --- bass - Narada Michael Walden -- drums, percussion
1978 line up: - Rob Buchanan (RIP 1988) -- vocals, guitar - NEW Ray Gomez -- guitar - Andy Newmark -- drums - NEW Willie Weeks -- bass
1980 line up: - Rob Buchanan (RIP 1988) -- vocals, guitar - NEW Dan Burbeck -- drums, percussion -
NEW Richard Crooks
- drums, percussion -
NEW Gordon Johnson
-- bass 1985 line up: - Roy Buchanan (RIP 1988) -- vocals, guitar - NEW Larry Exum -- bass - NEW Bill Heid -- keyboards - NEW Morris Jennings -- drums - NEW Chris Johnson -- rhythm guitar
1986 line up: - Roy Buchanan (RIP 1988) -- vocals, guitar - Larry Exum -- bass - Morris Jennings - drums, percussion - NEW Donald Kinsey -- rhythm guitar - Delbert McClinton -- vocals - NEW Stan Szelest -- kyebaords
1987 line up: - Roy Buchanan -- vocals, guitar - Larry Exum -- bass - Morris Jennings -- drums - NEW Donald Kinsey -- guitar - NEW Kanika Kress -- vocals - NEW John Sayles -- vocals - NEW Stan Zelest --- keyboards
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- The British Walkers - Bobby Gregg and His Friends - The Heartbeats - Waw Keen Valley Boys - The Snakestretchers
- The Soundmasters
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Genre: blues-rock Rating: *** (3 stars) Title: Roy Buchanan Company: Polydor Catalog: PD 5033 Year: 1972 Country/State: Ozark, Arkansas Grade (cover/record): VG+/VG+ Comments: -- Available: SOLD Catalog ID: SOLD 4737 Price: SOLD $15.00
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In the wake of all the media hype surrounding Buchanan, his self-titled 1972 debut (actually credited to Ray Buchanan and the Snake Stretchers) came off as a major disappointment. Produced by Peter Siegel, "Roy Buchanan" featured a mixture of blues, gospel-influenced originals (his father had been a Pentecostal preacher) and popular county-influenced covers. As a writer, Buchanan originals such as "Pete's Blues", "Cajun" and "John's Blues" aptly showcased the artist's stinging Telecaster leads, but otherwise seldom caught fire. Elsewhere, judging by his lone vocal effort ("The Messiah Will Come Again"), Buchanan's singsong voice wasn't a match for his guitar. Unfortunately, lead vocalist Chuck Tilley wasn't much better, his anonymous voice leaving tracks such as a cover of Hank William's "Hey, Good Lookin'" and "I Am a Lonesome Fugitive" with a pleasant, if pedestrian country-rock feel. Simply too diverse to capture the guitarist's talent, the album proved a minor chart success, hitting # 107. (Prior to being signed by Polydor, the album was released on Buchanan's own Bioya label.) Polydor also tapped the album for a pair of singles in the form of:
- 1972's 'Haunted House' b/w '' (Polydor catalog number 14149) - 1972's 'Sweet Dream' b/w '' (Polydor catalog number 14178)
Courtesy of YouTube, here's a link to a series of 1985 performances on the German RockPalast television show':
http://www.youtube.com/watch?v=yOptDDU3rOo ('Sweet Dreams')
http://www.youtube.com/watch?v=On5372UztI0 ('The Messiah Will Come')
"Roy Buchanan" track listing: (side
1) (side 2) 1.) Haunted House (R. Geddins) - 2:44
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Genre: blues-rock Rating: **** (4 stars) Title: Second Album Company: Polydor Catalog: PD 5046 Year: 1973 Country/State: Ozark, Arkansas Grade (cover/record): VG+/VG+ Comments: -- Available: 2 Catalog ID: 4738 Price: $15.00 |
One of the advantages of living in Northern Virginia is from time to time you stumbled across Roy Buchanan LPs at local yard sales. I was lucky enough to buy four for $16 at a local CIVITAN sale. Life doesn't get much sweeter.
Released in 1973, "Second Album"
found Roy Buchanan again working with producer Pete Sigel. The
collection wasn't a major change in direction for Buchanan, though to my ear
"Second Album" track listing: (side 1) 1.) Filthy Teddy (instrumental) (Roy Buchanan) - 3:11 rating: **** stars I'm sure that guitar players can go on and on and on about Buchanan's technique - palm muting; ripping punch harmonic, etc. All I know is he got an amazing sound out of his telecaster and it was seldom as funky as on the opener 'Filthy Teddy.' 2.) After Hours (instrumental) (Avery Parrish - B. Feyne - R. Bruce) - 6:13 rating: *** stars Today Buchanan's widely remembered for his blues work. His remake of the 1940 hit by Erskine Hawkins (The Twentieth Century Gabriel) and His Orchestra is one of those tracks fans hold up in esteem. Technically it's certainly impressive with Buchanan effortlessly showcasing his tasteful and economical playing. Great if you're a hardcore blues fan. A little less so if you're not into the genre. 3.) Five String Blues (Roy Buchanan) - 6:23 rating: **** stars The spotlight has justifablly been on Buchanan's fretwork, but I've always liked his raspy, limited range voice. It was the perfect accompaniment for a track like 'Five String Blues.' I don't know if anyone can really make a guitar cry, but Buchanan certainly came close on this one. Check out the song around the 5:40 mark. Also kudos to keyboard player Dick Heintze for turning in a sweet solo. 4.) Thank You Lord (Roy Buchanan) - 2:23 rating: **** stars Another Buchanan vocal and while it may have been an also-ran track for many folks, I found it deeply touching. Perhaps it has something to do with the lyrics which strike close to home.
(side 2) 1.) Treat Her Right (Roy Head) - 2:43 rating: **** stars The album's most commercial performance, Buchanan's cover of Roy Head's 'Treat Her Right' featured Chuck Tilley on lead vocals. Introducing a pseudo-surf rock sound to the mix, Buchanan could sure play that Telecaster !!. 2.) I Won't Tell You No Lies (instrumental) (Roy Buchanan) - 6:35 rating: **** stars Another original, the soulful instrumental 'I Won't Tell You No Lies' spotlighted Buchanan's ace backing band - keyboard player Dick Heintze, drummer Jerry Mercer, and bassist Don Payne. IT also demonstrated Buchanan's stylistic flexibility. 3.) Tribute To Elmore James (instrumental) (Roy Buchanan) - 3:25 rating: **** stars Anyone want to take a guess at whom some of Buchanan's biggest influences were? The rollicking 'Tribute To Elmore James' was a blues number for folks who don't like the blues. This was one of those performances I wish had gone on longer. 4.) She Once Lived Here (instrumental) (Autrey Inman) - 3:00 rating: ** stars The album's lone disappointment, the instrumental 'She Once Lived Here' was simply too country-tinged for my tastes.
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Genre: blues-rock Rating: **** (4 stars) Title: That's What I Am Here For Company: Polydor Catalog: PD 6020 Year: 1974 Country/State: Ozark, Arkansas Grade (cover/record): VG+/VG+ Comments: cut out notch along top edge; minor ring wear Available: 1 Catalog ID: 4760 Price: $15.00 Cost: $2.00 |
For some reason this Roy Buchanan outing gets middling reviews from folks. I'm going to go out on a limb and tell you that those critics are wrong and that 1974's "That Is What I Am Here For" is one of Buchanan's better offerings. In the interests of being honest, the album marked a modest change in direction from his earlier catalog. If you were totally engaged by those previous blues-rock efforts, this one might prove problematic. Co-produced by Dennis Ferrante and Shelly Yakus, this album had two things going for it: 1.) Buchanan wrote most of the material (along with band members Billy Price and John Harrison), and 2.) it frequently rocked like there was no tomorrow. That's right, Buchanan's blues aspirations were largely sidelined in favor of some blazing straight ahead rock and roll. Highlights to my ears included his stunning cover of 'Hey Joe' (dedicated to the late Jimi Hendrix), the Allman Brothers-styled 'Rodney's Song' (great storyline) and the should-have-been-a-hit 'My Baby Says She's Gonna Leave Me.' Admittedly the album was not perfect. As lead singer Price was an acquired taste. Technically he was fine, but on tracks like the sappy ballad 'Home Is Where I Lost Her' and Jack Bond's 'That's What I'm Here For' Price sounded like he was trying too hard; forcing the sense of intensity. Hardly necessary when Buchanan was playing lead guitar. Admittedly Price redeemed himself on the stunning 'Please Don't Turn Me Around.' Certainly not your typical Buchanan release, but maybe that's part of the reason that I like this one so much.
"That's What I Am Here For" track listing: (side 1) 1.) My Baby Says She's Gonna Leave Me (Roy Buchanan - Billy Price - John Harrison) - 3:22 rating: **** stars I've always been mystified how Polydor missed the opportunity to deliver a hit with the blazing rocker 'My Baby Says She's Gonna Leave Me. The song offered up a perfect mesh of commerciality and Buchanan's instantly recognizable leads. And the stunning coda would make Hendrix smile. 2.) Hey Joe (Billy Cox) - 5:25 rating: **** stars I clearly remember thinking "geez, not another Hendrix cover ..." I also remember being thunderstruck by Buchanan's version. Perhaps because of his own demons, the song just seems to have registered with Buchanan who turned in one of his most amazing performances here. YouTube has a November, 1976 performance of the song. Taped in Austin, Texas Buchanan was 37 at the time. If you're looking for make-up, fancy stage moves and flash, you won't find it on this stunning performance: Roy Buchanan - Hey Joe (Live From Austin TX) - YouTube 3.) Home Is Where I Lost Her (Roy Buchanan - John Harrison) - 4:27 rating: *** stars Another atypically commercial composition, 'Home Is Where I Lost Her' could have been taken for Delbert McClinton, or perhaps Joe White (had Billy Price been a better singer). Wild hearing Buchanan double tracked and making his Telecaster cry. 4.) Rodney's Song (Roy Buchanan - Billy Price - John Harrison - Mike Kalina) - 4:30 rating: **** stars I've always loved the tone Buchanan coaxed out of his Telecaster on 'Rodney's Song.' I'll even tell you Price sounded pretty good on this one. Great slice of Allman Brothers' styled Southern rock with a nice lesson for obnoxious, heavy-drinking guys out there with their wives and girlfriends.
(side 2) 1.) That's What I Am Here For (Jack Bond) - 2:30 rating: *** stars Written by fellow musician and Buchanan friend Jack Bond, 'That's What I Am Here For' offered up another nice mix of commercial and rock. It would have been even better with a stronger singer. 2.) Roy's Bluz (Roy Buchanan) - 5:59 rating: *** stars With Buchanan featured on vocals, the bluesy 'Roy's Bluz' marked a return to his trademarked blues-rock sound. The song was fine, but predictable. Another clip pulled from his 1976 Austin performance, note the beers sitting on Malcolm Lukens' keyboard and the stunt Buchanan pulls off around the 5:30 mark. The look of joy on his face is remarkable: ROY BUCHANAN - ROY'S BLUZ(LIVE 1976) - YouTube 3.) Voices (Dick Heintz) - 2:27 rating: *** stars Written by keyboardist Dick Heintz (who was also heavily featured), the bouncy 'Voices' was the album's most outright radio-friendly performance. 4.) Please Don't Turn Me Around (Roy Buchanan - Billy Price) - 4:27 rating: **** stars The soul ballad 'Please Don't Turn Me Around' is on my Buchanan top-10 list. A pretty, Solomon Burke-styled soul ballad, Price redeemed himself on this one, but the real attraction was the way Buchanan intertwined his runs with Price's vocals. Also always loved the soulful backing vocals. Every time I head them they bring a smile to my face. In one of those marketing mysteries Polydor tapped the song as a single in Holland and South Africa:
- 1973's 'Please Don't Turn Me Around' b/w 'Nepesh' (Polydor catalog number 2066 534)
5.) Nepesh (instrumental( (Roy Buchanan) - 3:27 rating: *** stars For years I had no idea what the title meant, so one day I looked it up. It's a Hebrew word that translates roughly as "soul." Seems applicable for this bluesy instrumental.
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Rating: **** (4 stars) Title: In the Beginning Company: Polydor Catalog: PD 6035 Year: 1975 Country/State: Ozark, Arkansas Grade (cover/record): VG+/VG+ Comments: cut top right corner Available: SOLD Catalog ID: SOLD 6068 Price: SOLD $15.00
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The title is curious given it was the final studio album Roy Buchanan cut for Polydor Records. Produced by Ed Freeman the album was interesting, but uneven. The mix of popular covers and Buchanan originals offered up a good reflection of Polydor's marketing team's struggles over how to market Buchanan to a broader audience without completely diluting his musical strengths. Their questionable decision was to push Buchanan towards shorter, more mainstream material - hence the high number of covers. Buchanan was supported a strong backing band featuring keyboard player Neil Larsen, singer Billy Sheffield, drummer Billy Stewart, and bassist Kenny Tibbets. They were clearly comfortable playing with one another, but producer Freeman frequently overwhelmed the group's dynamic with needless production effects including chirpy female backing vocalists and the intrusive Tower of Power horns. The mix of popular covers and Buchanan originals was also offsetting. Mind you Buchanan exhibited good taste in his choice of covers - Fontella Bass, Al Green, xxx, but on many of those commercial oriented sides Buchanan sounded detached from the proceedings. No matter what Polydor executives hoped to accomplish, the fact of the matter is Buchanan was never going to be a top-40 pop act.
Who understands the marketing maturations, but the album was released in Europe under the title "Rescue Me" (Polydor catalog number 2391 152). Same cover art; same track listing; same track order. Just a different title.
"In the Beginning" track listing: (side 1) 1.) Rescue Me (Carl Smith - Raynard Miner) - 3:22 rating: **** stars If you grew up listening to the Fontella Bass hit version of 'Rescue Me' it remains the standard to compare all covers against. With Billy Sheffield on vocals, Kenny Tibbetts on bass (he turned in an amazing performance) and backing from The Tower of Power horns, musically Buchanan's cover didn't really mess with the original. Curiously, Buchanan didn't make his presence know for the first minute of the song; though when he kicked in you immediately knew it. Still, it was a strange opener with the spotlight not really on Buchanan's telecaster. Extra star for covering a soul classic. The track was released as a promotional single in the States and as a stock released throughout Europe:
- 1974's 'Rescue Me' b/w 'I'm a Ram' (Polydor catalog number PD 14265) 2.) I'm a Ram (Mabon Hodges - Al Greene) - 3:28 rating: **** stars Similar to 'Recue Me', Al Green's original is the standard barer, but Buchanan and company give it their all on the cover. Once again you get Billy Sheffield on vocals, Kenny Tibbetts on bass, and The Tower of Power horns. The difference is Buchanan sounded more engaged with the track turning in a pair of short, but mesmerizing solos. Tibbett's churning bass steals the show this time around. Buchanan covered the song again on his "Live Stock" album. 3.) In the Beginning (instrumental) Roy Buchanan) - 2:22 rating: **** stars Opening up with Neil Larsen's classically-tinged synthesizer washes, 'In the Beginning' sounded like a prototype for much of Mark Knopfler's career. The "Local Hero" soundtrack comes to mind. A beautiful, atmospheric piece, this one's permanently parked itself in my memory banks. 4.) CC Ryder (arranged by Roy Buchanan) - 6:03 rating: *** stars The first mild disappointment, slowing 'CC Ryder' to a crawl, slapping irritating female backing singers, and stretching it out over six months didn't strengthen the tune. Yes, it gave Buchanan and opportunity to stretch out, but I'll admit to missing the energy in the Chuck Willis, Bobby Powell, or Mitch Ryder covers.
(side 2) 1.) Country Preacher (instrumental) (Joe Zawinul) - 3:28 rating: **** stars Other than losing the extended Cannonball Aderley sax solo (enter The Tower of Power horns), Buchanan's arrangement really didn't mess with the song's pastoral, soulful spirit. It's actually a nice arrangement showcasing how melodic his country-soul playing could be. Kind of a Clarence Carter vibe to the tune. 2.) You're Killing My Love (Nick Gravenites - MIchael Bloomfield) - 4:36 rating: *** stars Buchanan's cover is nice, but go with the Otis Rush version. 3.) She Can't Say No (Bill Shelfield - Roy Buchanan) - 5:28 rating: *** stars Co-written with singer Bill Sheffield, 'She Can't Say No' was one of the few tracks that recalled Buchanan's earlier blues-rock effort across the three earlier Polydor studio sets. 4.) Wayfairing Pilgrim (instrumental) (Ed Freeman - Roy Buchanan) - 5:07 rating: **** stars Not sure why Buchanan elected to retitle 'Wayfairing Stranger' and 'Wayfairing Pilgrim, but the result was one of his prettiest performances. Showcasing his unique "crying guitar" tones, this one might make you cry. Simply beautiful. YouTube has numerous live performances of the song, but the best video and sound quality is found on an appearance on the German Rockpalast television program: Roy Buchanan - Live at Rockpalast - Wayfaring Pilgrim - YouTube
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Genre: blues-rock Rating: *** (3 stars) Title: Live Stock Company: Polydor Catalog: PD 6048 Year: 1975 Country/State: Ozark, Arkansas Grade (cover/record): VG+/VG+ Comments: minor ring and edge wear Available: 2 Catalog ID: 4755 Price: $15.00
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Released after Roy Buchanan had parted ways with longtime record label Polydor, 1975's "Live Stock" captured the guitarist and his backing band at a November 1974 performance at New York's Town Hall. Buchanan and the band were captured playing before an enthusiastic crowd and sounded exceptionally comfortable; like they were having a great time. As such it stands as one of my favorite Buchanan sets. Sure, Billy Price wasn't the world's greatest singer, but here he was in pretty good form, turning in spirited performances on tracks such as the lead off rocker 'Reelin' and Rockin'' and the breezy 'Can I Change My Mind'. Course, I've always wondered why Buchanan didn't handle more of the vocal chores - that's him on 'Roy's Bluz' and 'I'm Evil' and he's just as good as Price. Regardless, the band's laidback enthusiasm more than compensated for those vocal limitations. Anyhow, you're buying this album for the guitar work and there's plenty to check out - 'Roy's Bluz', 'Can I Change My Mind' and 'I'm a Ram' all exhibit Buchanan's astonishing talents. Buchanan is one of the few acts I wish I'd been able to see live ...
"Live Stock" track listing: (side 1) 1.) Reelin' and Rockin' (Roy Milton) - 2:26 rating: ** stars To be honest the opener 'Reelin' and Rockin' was kind of pedestrian; almost perfunctory and dull. Yeah, you got a tast of Buchanan's speed of sound moves, but the song just wasn't particularly engrossing. 2.) Hot Cha (instrumental) (Willie Woods) - 4:21 rating: **** stars Sporting a tasty Stax-feel, the instrumental 'Hot Cha' was a far superior performance. Not only did Buchanan get a chance at the spotlight, but Malcolm Lukens got a little face time with some nice Hammond B3 moves. 3.) Further On Up the Road (Bob Mack) - 3:39 rating: *** stars I'm usually not a big straight-ahead blues fan, but Buchanan and company turned in a nice performance on 'Further On Up the Road'. It was also one of singer Billy Price's best performances. 4.) Roy's Bluz (Roy Buchanan) - 8:10 rating: **** stars I've always wondered why Buchanan was so reluctant to handle lead vocals. Okay, he may not have had the best voice you've ever heard, but judging by 'Roy's Bluz' he was easily as good as Price, bringing a nice sense of melancholy to this stark blues number (initially just Buchanan on electric guitar). And when he finally cuts lose on that Stratocaster, all hell breaks loose.
(side 2) 1.) Can I Change My Mind (Carl Despenza - Barry George Wolfolk) - 6:39 rating: **** stars Their cover of the old Tyrone Davis hit 'Can I Change My Mind' was given a breezy, highly commercial blue-eyed soul arrangement. A perfect tune to go shagging to and one of the album's highlights. 2.) I'm a Ram (Al Green - Mabon Hodges) - 4:24 rating: **** stars Geez, I wonder how many bands have covered Al Green's 'I'm a Ram' ... Not that it matters since this grizzled version was one of the best. A great tune for anyone who doubted Buchanan could play it funky !!! 3.) I'm Evil (Roy Buchanan) - 6:01 rating: ** stars Technically the bluesy 'I'm Evil' was the second Buchanan vocal performance, though this time around he more-or-less spoke the lyrics. This was probably one of those performances that was better had you been there in person with a couple of cold beers.
Always smile when I see the album cover. Wonder who brought the store's attention to Buchanan ? Nice of him to thank the Australian proprietor and his family.
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Genre: blues-rock Rating: *** (3 stars) Title: A Street Called Straight Company: Atlantic Catalog: SD 18170 Year: 1976 Country/State: Ozark, Arkansas Grade (cover/record): VG+/VG+ Comments: -- Available: 1 Catalog ID: 4739 Price: $15.00
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A move to the big time, 1976 saw Buchanan
signing with Atlantic. A label known for its sympathetic handling of
niche artists, it seemed like a great decision for both parties. The
decision looked even better when "A
Street Called Straight" teamed Buchanan with superstar producer Arif
Mardin. Recorded in Atlanta the resulting collection certainly started with a bang; Buchanan's 'Running
Out' and 'Man On the Floor' standing as some of his toughest slices of conventional guitar rock.
Interestingly, long known as a shy vocalist content to use hired help,
Mardin somehow convinced Buchanan to handle a disproportionate number of
lead vocals. While his dry, fractured vocal style may not be to everyone's liking,
hearing these performances it was hard to understand why Buchanan was reluctant
to sing. Check out Buchanan's own disclaimer with respect to his voice
on the track 'Caruso.'
Elsewhere, as you would expect, producer Mardin made sure there was plenty of tasty telecaster and acoustic
guitar chops on display. Unfortunately, the set
wasn't particularly focused. Perhaps the nadir was the instrumental 'Keep What
You Got' which exhibiting an annoying disco-tinge. Luckily the highlights
outnumbered the missteps with two of the best performances being a remake of Buchanan's 1972's 'The Messiah Will Come
Again' and his growling cover of Jimi Hendrix's 'If Six was Nine.'
I've always wondered about the child featured on the cover photo - was it
David Buchanan, Roy's son?
"A Street Called Straight" track listing:
1.) Running Out (Roy Buchanan - John Harrison) - 2:38 rating: **** stars One
of the most commercial things Buchanan ever recorded, 'Running Out' had an
attractive ZZ-Top-meets-Stevie Ray-Vaughn funky vibe to it. Not 100%
sure but I think bassist John Harrison (who co-wrote the song with
Buchanan), handled lead vocals with Buchnanan featured on the second
vocal. Should have been the single. Recall that the mid-'70s reflected the peak of disco madness. Blues, soul, and pop artists were all left struggling to hold on to a fan base in the face of dance madness. The pressure to at least dip ones toes into the genre was unrelenting and 'Keep What You Go' saw Buchanan's attempt. You weren't going to mistake this for The Bee Gees, but it was still pretty trying - chirpy backing singers; burping bass, repetitive lyrics. Buchanan could not have been happy, but the man had bills to pay. I always wondered why Atlantic tapped it as a single in Australia, but when you realize that country lost its collective mind to ABBA, maybe it makes a little more sense.:
- 1976's 'Keep What You Got' b/w 'Caruso' (Atlantic catalog number 45-3342)
3.) Man On the Floor (Roy Buchanan) - 3:22 rating: *** stars Not
exactly funky, but Man On the Floor' offered up an example of Buchanan's
ability to make a guitar scream. It also showcased Buchanan's growling
voice.
Another
Buchanan vocal, 'Good God Have Mercy' offered up a slice of Tony Joe White
styled swamp rock. Admittedly he didn't have the greatest voice you've
ever heard, but was it ever appropriate for this song.
Kind
of a country-rocker, 'Okay' sounded like something Don Nix, or perhaps
Delaney and Bonnie might have recorded. Nice example of Buchanan's
agility on acoustic guitar.
I
read the title was a nod to his reputation as the "Caruso" of the
Telecaster. Buchanan's voice was perfect for this style of
country-blues storytelling ... Perhaps somewhat autobiographical,
except the dope dealing. Love the reference to his voice.
(side 2) 1.) My Friend Jeff (instrumental) (Roy Buchanan) - 3:38 rating: *** stars Buchanan's
Telecaster was instantly recognizable, but the rest of the song was a bit
too close to AOR contemporary rock for its own good. Apparently
dedicated to Jeff Beck, Beck returned the favor dedicating 'Cause We've
Ended As Lover' on his "Blow To Blow" album. Buchanan's cover of 'Hey Joe' attracts rave reviews and while it is a classic, I've always had a sweet pot for 'If Six was Nine.' With Buchanan on lead vocals, Malcolm Lukens on Moog the song was surprisingly funky. Bassist John Harrison actually provided the song's secret sauce. 3.) Guitar Cadenza (instrumental) (Roy Buchanan) - 3:50 rating: ** stars Funny,
but to my ears 'Guitar Cadenza'
always sounded like a guitar tutorial, rather than a conventional
song. "Hey boys and girls here are some examples of the cool
sounds you can generate on your Telecaster." 'The Messiah Will Come Again' appeared in Buchanan's self-titled 1972 debut, so it was a little surprising to see a remake. The remake wasn't all that different; Buchanan's playing perhaps a tad crisper. One of his classic performances, YouTube has a slew of live performances. YouTube has a nice clip from a 1976 Austin, Texas television performance: ROY BUCHANAN - THE MESSIAH WILL COME AGAIN(LIVE 1976) - YouTube
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Genre: blues-rock Rating: **** (4 stars) Title: Loading Zone Company: Atlantic Catalog: SD 19138 Year: 1977 Country/State: Ozark, Arkansas Grade (cover/record): VG+/VG+ Comments: -- Available: 2 Catalog ID: 3544 Price: $15.00
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As you can see, I have a large swatch of Roy Buchanan's recording catalog in my collection. He was an amazing player who deserved far wider recognition than he achieved. Anyhow, I won't go as far as claiming 1977's "Loading Zone" was Buchanan's best album, but I will tell you it's one of his most satisfying and enjoyable collections. As he'd done for Buchanan's Atlantic debut "A Street Called Straight", the original plans were for Buchanan's follow-on collection to also be produced by Dowd. When schedules couldn't be coordinated, in an interesting move, jazz bassist Stanley Clarke was brought in for the assignment. If nothing else, it made for an interesting pairing of talents. Musically the collection wasn't a major departure from Buchanan's earlier releases. Exemplified by tracks like 'Ramon's Blues' (featuring Cropper on second lead guitar) Buchanan's heart remained firmly entrenched in the blues. At the same time he was comfortable playing in other genres. A duet with Clarke, 'Adventures of Brer Rabbit and Tar Baby' offered up a country/bluegrass feel, while 'Hidden' sounded like an earlier Mark Knopfler soundtrack piece. Best of the lot were Buchanan's cover of Clarke's 'The Heat of Battle' and a stunning remake of Booker T. & the MG's 'Green Onions' (Buchanan and Steve Cropper trading off licks - Donald Dunn hammering away on bass). The album also boasted one of the year's most impressive casts of sidemen. In addition to Clarke, Steve Cropper, Donald Dunn, Jan Hammer, Will Lee, Narada Michael Walden, and Tower of Power drummer David Garibaldi all made appearances. The down side was that Buchanan's tight road band was completely absent from the session.
In case anyone
cares, the album cover was shot inside New York City's Pete's Tavern (the
city's oldest bar).
"Loading Zonet" track listing:
1.) The Heat of the Battle (instrumental) (Stanley Clarke) - 5:00 rating: **** stars I always thought having jazz bassist Stanley Clarke produce this album was an interesting pairing and the results were underscored by the blazing opener ... The epic 'The Heat of the Battle' was simply one of the most tuneful things Buchanan ever recorded. For some reason this one always reminded me of an early Allman Brothers tune - the melody is just so strong and attractive. 2.) Hidden (instrumental) (Roy Buchanan) - 3:24 rating: *** stars 'Hidden' was a pretty ballad that would not have sounded out of place on one of Mark Knopfler's early soundtrack albums ("Local Hero" comes to mind), though the heavy orchestration distracted a bit from the core tune. 3.) The Circle (Roy Buchanan - Ron Foster - Scott Musmanno) - 2:55 rating: *** star Showcasing Scott Musmanno on vocals, 'The Circle' was one of two vocal performancesl on the album. decent rocker, though I can't say I was in love with Musmanno's slightly understated vocals. The female backing singers actually kicked his butt. I guess because it was a vocal performance, Atlantic tapped this one as a single:
- 1977's 'The Circle' b/w 'Green Onions' (Atlantic catalog number 3414) 4.) Adventures of Brer Rabbit and Tar Baby (instrumental) (Roy Buchanan) - 2:35 rating: **** stars Just Buchanan and Clarke ... but the country-tinged results were stunning. If you doubted a bass could serve as lead instrument, then you'll want to check this one out. 5.) Ramon's Blues (instrumental) (Roy Buchanan) - 7:07 rating: **** stars Electric
blues for people who don't like electric blues. Buchanan's screaming
Telecaster was featured on the first and third solos. Steve Cropper on
the second solo. Stunning and one of the album highlights. (side 2) 1.) Green Onions (instrumental) (Booker T. Jones - Steve Cropper - Lewis Steinberg - Al Jackson) - 8:04 rating: ***** stars 'Green Onion' covers are a dime a dozen, but when you get Buchanan, Steve Cropper and Donald Dunn trading off licks, well that kicks it to another level. This time around Cropper takes the first and third solos, while Buchanan is featured on the second and fourth. Dazzling and simply too short even though it clocked in at over eight minutes. Taken from a performance on the German Rockpalast television show, there's no Cropper, or Dunn, but this clip's still worth checking out: https://www.youtube.com/watch?v=XYCTcc_JuDE 2.) Judy (instrumental) (Narada Michael Walden) - 4:10 rating: *** stars The pretty ballad 'Judy' was one of two tunes penned by keyboardist Narada Michael Walden. Perhaps just coincidence, buy Buchanan's wife was names Judy. 3.) Done Your Daddy Dirty (instrumental) (Roy Buchanan) - 4:15 rating: **** stars I've always had a sweet spot for Buchanan's slide work and 'Done Your Daddy Dirty' was an awesome example of the man showing off his rock roots. 4.) Your Love (Narada Michael Walden) - 3:58 rating: *** stars The album's most commercial offering, the sweet ballad 'Your Love' was interesting for showcasing one of Buchanan's rare vocals. Okay, he wasn't blessed with one of rock's great voices, but I've always thought he was far better than given credit for. There was a true Americana vibe in his performances. Admittedly ,'Your Love' was a bit over-the-top in sentimentality, but the song had a wonderful melody.
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Genre: blues-rock Rating: ** (2 stars) Title: You're Not Alone Company: Atlantic Catalog: SD 19170 Year: 1978 Country/State: Ozark, Arkansas Grade (cover/record): VG+/VG+ Comments: minor ring wear on back cover Available: SOLD Catalog ID: SOLD1523 Price: SOLD $15.00 Cost: $66.00
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The combination of Roy Buchanan's talent and Atlantic's recording and marketing skills should have made the guitarist a superstar. Naturally it didn't happen.
Produced by Raymond Silva, 1978's "You're Not Alone" found Buchanan trying to find an approach that balanced his blues roots with a more commercial sound. Apparently inspired by the country's sudden fascination with all things having to do with space, Buchanan didn't hesitate to hop aboard the cultural bandwagon - check out the cover art and the atmospheric opener 'The Opening ... Miles from Earth'. In an odd pairing, Buchanan turned to keyboardist Jean Roussel for help in the writing department. Unfortunately, the results were kind of hit or miss. Buchanan was simply too talented to turn in a completely throwaway effort and his dynamic fretwork managed to save tracks such as 'Fly ... Night Bird' , '1841 Shuffle' and 'Supernova'. On the downside, this may have been one of his least inspired backing bands. The LP wasn't helped along by the inconsistent song selection. A mix of originals and popular covers, there really wasn't a need for Buchanan to cover Joe Walsh's 'Turn To Stone', or Neil Young's 'Down By the River' - vocalist Gary St. Clair's shrill performance on the latter didn't do much for me. Luckily most of the collection featured instrumentals. Even more irritating were the constant spacey synthesizers squawks and squeaks ... the title track actually sounded like something off of a Pink Floyd soundtrack !!! Not exactly his creative zenith.
"You're Not Alone" track listing: (side 1) 1.) The Opening ... Miles from Earth (instrumental) (Jean Roussel) - 2:01 rating: ** stars 'The Opening ... Miles from Earth' was pretty enough, but to be honest the combination of synthesizer washes and Atari console sound effects sounded like something left on the cutting room floor of a Carl Sagen PBS presentation. 2.) Turn To Stone (instrumental) (Trebant - Joe Walsh) - 5:48 rating: ** star Buchanan exhibited good taste in his cover of Joe Walsh's classic 'Turn To Stone', but while the performance was impressive, the arrangement added nothing to the original. 3.) Fly ... Night Bird (instrumental) (Roy Buchanan - Andrew Newmark - Jean Roussel - Raymond Silva - Willie Weeks) - 7:46 rating: ** star Opening up with more synthesizer sound effects and synthesizer washes, the instrumental 'Fly ... Night Bird' came off as vaguely new-age-ish. Maybe even a little David Gilmour in Buchanan's tasteful fretwork, but there just wasn't enough here to engage the ear. 4.) 1841 Shuffle (instrumental) (Roy Buchanan - Andrew Newmark - Jean Roussel - Raymond Silva - Willie Weeks) - 4:22 rating: **** stars It took a little while to kick in, but the instrumental '1841 Shuffle' marked a brief return to Buchanan's joyful, signature blues-rock sound.
(side 2) 1.) Done By the River (Neil Young) - 8:41 rating: *** stars Under the nameplate Buch and the Snakestretchers (should have thought about the band name a little more), Buchanan had previously recorded this Neil Young classic on his 1971 "One of Three" album. Musically this version stay true to the original melody, but stretched it out to accommodate extended solos. The solos were certainly enjoyable, but I've never enjoyed singer Gary St. Clair's shrill performance. I would have rather heard Buchanan's gruff voice. Truth be told, I actually like the Buch and the Snakestretchers version better. Atlantic tapped the song as a single:
- 1978's 'Down By The River' b/w 'Supernova' (Atlantic catalog number 45-3489).
YouTube has a 1971 clip of Buch and the Snakestretchers performing the song on a local PBS station. Chuck Tiley is featured on vocals and rhythm guitar. I actually like this version better as Buchanan's performance is more melodic. : Roy Buchanan - Down By The River, PBS (1971) - YouTube
2.) Supernova (instrumental) (Roy Buchanan) - 3:26 rating: *** stars In spite of the title the brief instrumental 'Supenova' was one of the album's more enjoyable performances. Buchanan actually sounded like he was enjoying himself on the bouncy rocker. 3.) You're Not Alone (instrumental) (Roy Buchanan - Andrew Newmark - Jean Roussel - Raymond Silva - Willie Weeks) - 8:01 rating; **** stars If you were to play this for most people and ask them who it was, I'd be willing to bet many would guess Pink Floyd. The general vibe, synthesizers, Atari burps and belches and Buchanan's spidery leads all recalled David Gilmour and company. It certainly wasn't Buchanan's signature sound, but the title track was pretty, if it ultimately overstayed it's welcome. Extra star for being so atypical for Buchanan.
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Genre: blues-rock Rating: ** (2 stars) Title: My Babe Company: Waterhouse Catalog: WH #12 Year: 1980 Country/State: Ozark, Arkansas Grade (cover/record): VG+/VG+ Comments: still in shrink wrap Available: SOLD Catalog ID: SOLD5378 Price: SOLD $15.00
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The cover art is a hoot but this Roy Buchanan album leaves me thoroughly perplexed.
It's certainly not Roy Buchanan's crowning creative achievement. In
fact after the album was released Buchanan swore he'd never go back into a
studio unless he had full control of the proceedings (a promise he kept for
five years). At the same time the album's largely unknown, with many Buchanan websites failing to even acknowledge it's
existence, or if they do, spending little time or effort on it.
Try finding a review - there's apparently only one on the entire web -
repeated time after rime (and it's extremely brief and
non-descriptive). So, here's my inane stab at it ...
Released by the small Minneapolis-based Waterhouse label, 1980's self-produced "My Babe" showcased an artist thoroughly confused with respect to musical direction. Clearly interested in finding a commercial audience this time out Buchanan seemed to have mistakenly decided the market wanted to hear boogies-and-blues. Unfortunately with the exception of the instrumental 'Secret Love' (which sounded like it might have been inspired by Mark Knopfler's "Local hero" soundtrack) and a pair of Buchanan originals that were tucked away at the end of side two the album didn't have a great deal going for it. Tracks like the opener 'You Gotta Le Me Know', 'Lack Of Junk' and 'Dr. Rock & Roll' were commercial in an anonymous AOR vein, but to anyone familiar with his earlier catalog came off as little more than 'going-through-the-motions' efforts. Adding to the problem new lead singer Paul Jacobs proved a major irritation. Imagine Elvin Bishop's Mickey Thomas on a sugar high, or a third-rate Lonesome David Peverett (of Foghat fame) and you'll get a notion of what he sounded like. Even with his limited voice Buchanan would have been better off had he decided to handle the vocals himself. Finally, with the exception of the above mentioned tracks even Buchanan's solo's were largely forgettable. Technically his fretwork was fine (I should be able to do something as good as the title track), but by and large Buchanan seemed to be playing without much enthusiasm, or spirit. "My Babe" track listing: (side 1) 1.) You Gotta Let Me Know (Paul Jacobs) - 4:55 2.) My Babe (Little Walter) - 4:40 3.) It Should've Been Me (Norman Whitfield) - 4:08 4.) Secret Love (instrumental) (Sammy Fain - Paul Francis Wester) - 3:37 5.) Lack Of Junk (Paul Jacobs) - 3:24
(side 2) 1.) Dr. Rock & Roll (Gary Sinclair) - 3:11 2.) Dizzy Miss Lizzy (Larry Williams) - 3:38 3.) Blues For Gary (instrumental) (Roy Buchanan) - 8:32 4.) My Sonata (instrumental) (Roy Buchanan) - 2:50
For Buchanan fanatics Waterhouse released a four track radio station promotional LP - It contains a 20 minute interview and included 4 songs from the album: - 'My Babe', - 'Lack Of Funk' - 'Secret Love' - 'Dr Rock And Roll'
There are a surprising number of these floating around, but expect to pay $40 - $50 for a copy in good shape.
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Genre: blues-rock Rating: *** (3 stars) Title: When a Guitar Plays the Blues Company: Alligator Catalog: AL-4741 Year: 1985 Country/State: Ozark, Arkansas Grade (cover/record): VG+/VG+ Comments: minor crease along bottom front Available: 2 Catalog ID: 5318 Price: $15.00
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Frustrated and simply burnt out by his stint with Atlantic and the small Waterhouse label, throughout the early 1980s Buchanan effectively retired from recording. That period of inactivity ended in 1985 when he signed with Bruce Iglauer's Chicago-based Alligator Records. Guaranteed complete artistic control over his recording as part of his contract, 1985's self-produced and arranged "When a Guitar Plays The Blues" was a nice comeback. While Buchanan may have added a few gray hairs during his layoff, the album made it clear he remained one of music's best, if least known guitarists. Curiously the record was widely described as being Buchanan's first true blues effort. Hum ... I'd beg to disagree. Sure material like the title track and 'Why Don't You Want Me?' (showcasing singer Gloria Hardiman) reflected a distinctive blues feel, but that description was way too limiting and did Buchanan a major disservice. Original tracks like the blazing instrumentals 'Chicago Smokeshop' and 'Short Fuse' were kicka*s rockers, while 'Mrs. Pressure' displayed Buchanan's knack for more melodic endeavors. At least to my ears the standout track was also the most unexpected offering - an amazing collaboration with Otis Clay on the O.V.Wright classic 'A Nickel And A Nail'. Not the perfect Buchanan album - perhaps not really possible given his unique talents; I think you had to see him in a live setting to truly appreciate his gifts; this was still an album worth owning.
The video and sound quality aren't very good and there are no performance credits, but here's a YouTube clip of the title track:
http://www.youtube.com/watch?v=FkbM1M1WN0w
"When A Guitar Plays the Blues" track listing: (side 1) 1.) When a Guitar Plays the Blues (Johnson - Hables) - 6:35 2.) Chicago Smokeshop (instrumental) (Roy Buchanan) - 4:57 3.) Mrs. Pressure (instrumental) (Roy Buchanan) - 4:35 4.) A Nickel And A Nail (Morrison - Malone) - 4:28
(side 2) 1.) Short Fuse (Roy Buchanan) - 3:29 2.) Why Don't You Want Me? (Osso) - 6:04 3.) Country Boy (Bartholmew - Fast Domino) - 3:44 4.) Sneaking Godzilla Through The Alley (Roy Buchanan) - 6:14 5.) Hawaiian Punch (Roy Buchanan) - 1:51
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Genre: blues-rock Rating: **** (4 stars) Title: Dancing On the Edge Company: Alligator Catalog: AL-4747 Year: 1986 Country/State: Ozark, Arkansas Grade (cover/record): VG+/VG+ Comments: -- Available: SOLD Catalog ID: SOLD2718 Price: SOLD $15.00
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Co-produced by Roy Buchanan, Bruce Iglauer, and Dick Shurman, 1986's "Dancing On the Edge" was Buchanan's second collection for the Chicago based Alligator Records. Perhaps because it played down Buchanan's blues chops, it's always been one of my Buchanan albums. That's not to say this was a Buchanan stab at top-40 success, but tracks like hsi remake of 'Peter Gunn' and the instrumental 'Pedal To the Metal' were surprisingly commercial. The fact Delbert McClinton joined the band for three selections ('The Chokin' Kind', 'You Can't Judge a Book By It's Cover', and 'Baby, Baby. Baby') was just icing on the cake. To be honest, this album probably wasn't going to change your opinion of Buchanan one way or the other. To my ears it was a wonderful example of the man's almost magical skill on guitar. Exemplified by tracks like his cover of 'Drowning On Dry Land' (with Buchanan handling lead vocals), and originals like 'Jungle Gym', 'Whiplash', and the closer 'matthew', he was lightening quick, highly melodic, seldom played unnecessary note, but was capable of shredding with the best of them. As you probably guessed, the three collaborations with McClinton were the standout performances, but the entire album was worth a spin.
"Dancing On the Edge" track listing: (side 1) 1.) Peter Gunn (instrumental) (Henry Mancini) - 3:13 rating: **** stars I suspect Henry Mancini never expected to hear this tune played with such flair and energy ...Come to think of it, I don't think I've ever heard the song played with such gusto. Simply killer. A tune you can't sit still though. Not sure of the year; guessing same time the album was released, but YouTube has a tasty live clip of Buchanan playing the tune in front of an German audience for the Rockpalast television show: https://www.youtube.com/watch?v=ToFoHHXdBoM 2.) The Chokin' Kind (Harlan Howard)- 3:11 rating: **** stars One of three tunes to feature the great Delbert McClinton on vocals. As much as I love the Joe Simon version, I think this cover might be even better. How can you not love a tune with lyrics like "If you don't like the peaches, walk by the tree" ? McClinton was in tiptop shape (one of rock's finest voices) and Buchanan turned in one of his sweetest solos. This should have been a single for the pair. 3.) Jungle Gym (instrumental) (Roy Buchanan) - 3:05 rating: *** stars A rare Buchanan original, the instrumental 'Jungle Gym' was surprisingly commercial, though I seem to detect just a touch of the 'Batman Theme' in the melody. 4.) Drowning On Dry Land (Mickey Gregory - Alan Jones) - 6:18 rating: **** stars I grew up with the Albert King and O.V. Wright versions of this blues classic, but I have to tell you Buchanan's version was every it as good and infinitely sadder since within two years the man would take his own life after being arrest and jailed for public intoxication. So sad ... The sound and video quality aren't great (nor is the backing band), but YouTube has a live performance of the tune: https://www.youtube.com/watch?v=sJfBrCa19io 5.) Petal To the Metal (instrumental) (Roy Buchanan) - 2:26 rating: *** stars Another Buchanan original, I'm not a guitar player, but the man could get such amazing tone out of his telecaster.
(side 2) 1.) You Can't Judge a Book By It's Cover (Willie Dixon) - 3:20 rating: **** stars With McClinton on vocals, this was easily the funkiest version of the Willie Dixon classic I've ever heard. 2.) Cream of the Crop (instrumental) (Roy Buchanan) - 2:35 rating: *** stars Another Buchanan original, the instrumental 'Cream of the Crop' almost had a garage rock edge. Nice. 3.) Beer Drinking Woman (Chatman) - 4:45 rating: *** stars Buchanan actually had a nice voice, but seemed reluctant to apply it. The album's lone blues number, his cover of 'Beer Drinking Woman' was a perfect example with Buchanan kind of talk-singing his way through the tune. His stunning solo kind of made up for the vocals. 4.) Whiplash (instrumental) (Roy Buchanan) - 2:26 rating: *** stars The album's most pop-oriented instrumental. 5.) Baby, Baby, Baby (Aretha Franklin - Carolyn Franklin) - 4:23 rating: **** stars It won't make you forget Aretha's version, but it came close and her version didn't have Buchanan's shimmering solo on it. McClinton really does have a special voice. 6.) Matthew (instrumental) (Roy Buchanan) - 2:02 rating: **** stars 'Matthew' closed the album with a gorgeous instrumental that would not have sounded out of place on a Mark Knopfler soundtrack album - think along the lines of "Local Hero".
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Genre: blues-rock Rating: *** (3 stars) Title: Hot Wire Company: Alligator Catalog: AL-4756 Year: 1987 Country/State: Ozark, Arkansas Grade (cover/record): VG+/VG+ Comments: -- Available: 2 Catalog ID: 5670 Price: $15.00
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Curiously, while Roy Buchanan's two earlier releases for Alligator Records were greeted with widespread critical acclaim and treated as a major comeback,1987's "Hot Wires" attracted little media attention and even fewer sales. Even sadder, in the wake of his August 1988 death by suicide the album proved to be Buchanan's final studio release. Co-produced by Buchanan, Bruce Ihlauer, Justin Niebank, and Dick Shurman, the album reunited Buchanan with some of Chicago's premier players including bassist Larry Exum, drummer Morris Jennings, and guitarist Donald Kinsley. Musically the collection featured a mixture of Buchanan originals and R&B and soul covers. It's always struck me as somewhat ironic that Buchanan consistently outsourced vocals; in this case The Blues Express' Kanika Kress and Johnny Sayles. While Buchanan's voice may not have been the most versatile singer you've ever heard, his sing/speak voice was quite likeable and well suited to the bluesy genre and a series of rare Buchanan vocals were among the album highlights - the goofy swamp rocker 'Goose Grease', 'Ain't No Business' and the stormy 'The Blues Lover'. But then you're not going to buy a Buchanan LP for his voice ... The instrumental 'Sunset Over Broadway' may have been the prettiest song Buchanan ever wrote. Simply gorgeous and easy to picture it being selected for placement on a film soundtrack. 'Flash Chordin'' was a stupefying display of the man's speed and dexterity (my 18 year old aspiring guitarist son was simply dumbfounded by the performance - 'how can someone do that with a guitar?'). Certainly not his creative zenith, but easily in my top-5 Buchanan list and as his final studio set, a sad reminder of lost talent.
"Hot Wires" track listing: (side 1) 1.) High Wire (Roy Buchanan)- 2:41 2.) That Did It (D. Clark - P. Wood) - 5:05 3.) Goose Grease (J. Heartsman) - 3:00 4.) Sunset Over Broadway (instrumental) (Roy Buchanan) - 4:12 5.) Ain't No Business (D. Malone) - 3:16 6.) Flash Chordin' (Roy Buchanan) - 4:05
(side 2) 1.) 25 Miles (Edwin Starr - Harvey Fuqua) - 3:50 2.) These Arms of Mine (Otis Redding) - 5:16 3.) Country Boogie (Junior Parker) - 4:30 4.) The Blues Lover (Roy Buchanan) - 8:10
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this time around the eight tracks featured a much more
distinctive blues feel. As you'd expect the focus was clearly on Buchanan's
telecaster, but the set included five originals. You also got to hear
Buchanan take the spotlight with his ragged voice on a couple of
tunes. His singing is certainly an acquired taste, but I have to say
I've always liked his voice. Nah, it wasn't a traditional Gospel tune,
but there was something calming and relaxing hearing him on 'Thank You
Lord.' While his
blues moves were impressive (many folks consider his remake of Avery
Parrish's 'After Hours' to be an all time classic), to my ears more
blues-rock focused efforts such as the leadoff
instrumental 'Filthy Teddy', the stunning 'Five String Blues', 'Treat Her Right (Chuck
Tilley handling lead vocals) and 'I Won't Tell You No Lies' were the
true standout performances. Is this the best Buchanan album? I'd
argue no, but it was a good place to dip you ears into his catalog and get a
taste of Buchanan's amazing style. Guess I'll have to think a little
while before making a decision on his best album.
