Bulldog
Band members Related acts
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line up 1 (1972-74) - Gene Cornish -- rhythm guitar - Dino Danelli -- drums, percussion - Billy Hocher -- lead vocals, bass - Eric Thorngen -- lead guitar - John Turi -- vocals, keyboards, sax
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- Blue Angel (John Turi) - The Epitome (Billy Hocher) - Fotomaker (Gene Cornish and Dino Danelli) - G.C. Dangerous (Gene Cornish) - Hocher (Billy Hocher) - The Hochers (Billy Hocher) - Little Steven and the Disciples of Soul (Dino Danelli) - Pepper (Billy Hocher, Eric Thorngen, and John Turi) - The Rascals (Gene Cornish and Dino Danelli) - The Young Rascals (Gene Cornish and Dino Danelli)
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Genre: pop Rating: 3 stars *** Title: Bulldog Company: Decca Catalog: DL7
5370 Country/State: Long Island, New York Grade (cover/record): VG+/VG+ Comments: -- Available: 2 Catalog ID: 1029 Price: $20.00
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In spite of some impressive credentials, the band Bulldog is all but forgotten today. The band actually traces its roots to the painful collapse of The Rascals. Rhythm guitarist Gene Cornish had quit The Rascals in 1970 while drummer Dino Danelli managed to hold on until the band's final break-up in 1972. At that point in time the pair decided to resume their musical partnership, quickly recruiting former The Epitome singer/bassist Billy Hocher, lead guitarist Eric Thorngen and keyboardist John Turi.
Billed
as Bulldog, the band's Rascals roots certainly helped them score a contract
with Decca. Co-produced by Cornish and Danelli, 1972's "Bulldog"
may have spotlighted the band's Rascals connection, but from a practical
standpoint it served to showcase Hiocher and Turi. The pair were
responsible for writing the majority of the album's ten tracks (there were
two covers)
"Bulldog" track listing: 1.) Rockin' Robin (Jimmie Thomas) - 2:42 rating: *** stars I can remember wondering why anyone would start an album with a cover of the oldie "Rockin' Robin" and after all these years I'm still puzzled. Mind you, their rocked-up version wasn't bad, serving as a nice showcase for Hocher's ravaged voice, but it just wasn't the most impressive way to start and album. 2.) No (Billy Hocher - John Turi) - 2:34 rating: **** stars I can see where Hocher's weathered, beaten voice was an acquired taste, but the slinky "No'"served to showcase his best qualities - imagine a cross between Joe Cocker and Leon Russell and you'd have a feel for the sound. Probably the album's most commercially viable track, the song was tapped as a single.
- 1972's "No" b/w "Good Times Are Comin'" (Decca catalog number 32996) 3.) Juicin' with Lucy (Billy Hocher - John Turi) -2:33 rating: **** stars Imagine an American version of Rod Stewart and the Faces and you'd have a feel for the boozy "Juicin' with Lucy". Great bar band tune that showed these guys were more than a pop band. 4.) Don't Blame It On Me (Billy Hocher) - 2:27 rating: ** stars Just as "No" showcased the best aspects of Hocher's growling voice, the blues-tinged country tune "Don't Blame It On Me" managed to underscore the man at his most irritating. This time out he came off as almost comical; over-singing and trying to scream his way through what could have been a really good tune. Nice acoustic slide guitar courtesy of Eric Thorngen. 5.) You Underlined My Life (Billy Hocher - John Turi) - 3:35 rating: ** stars Every album seemingly needs a big, commercial ballad and the keyboard powered "You Underlined My Life" served that purpose on "Bulldog". That's not to say this one was particularly original, or enjoyable.
(side
2) Nice country-tinged blues number with I've always taken to be a subtle anti-war lyric, that would have been even better had Hocher hit the subtle button rather than trying to over-emote his way through the song. Still, it was one of the more memorable performances. 2.) Too Much Monkey Business (Chuck Berry) - 3:24 rating: *** stars Chuck Berry's classic "Too Much Business" served as the album's second cover tune. With keyboardist Turi handling the lead vocal (I actually liked his dry delivery), the song was given a nice, bar band rockin' arrangement. Imagine the late Root Boy Slim playing it straight. 3.) Parting People Should Be Good Friends (Billy Hocher - John Turi - Eric Thorngren) - 2:58 rating: *** stars Lightening up the sound, "Parting People Should Be Good Friends'"found the band returning to a Brit-pop sound. The melody's always reminded me a bit of a decent Three Dog Night tune. Personally, I thought there were simply way to many la-la-la-la refrains in the tune. 4.) Good Times Are a Comin' (Billy Hocher - John Turi) - 3:14 rating: *** stars This one found the band seemingly trotting out their best Joe Cocker impersonations. Not a bad mid-tempo performance, but again, was ultimately stymied by trying too hard. 5.) I'm a Madman (Billy Hocher - John Turi - Eric Thorngren) - 3:08 rating: *** stars The album ended with another slice of rollicking Faces-styled rock. Conventional, but probably sounded far better after a couple of beers. The track also appeared as the "B" side to their 1973 "Are You Really Happy Together" and "I Tip My Hat" 45s.
© Scott R. Blackerby November 2022
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Genre: pop Rating: 3 stars *** Title: Smasher Company: Buddah Catalog: BDS
5600 Country/State: Long Island, New York Grade (cover/record): VG+/VG+ Comments: embossed cover Available: 1 Catalog ID: 2573 Price: $20.00
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Dropped
by Decca after their self-titled 1972 debut tanked, following a year break
Bulldog reappeared in the marketplace with a contract on Neil Bogart's Buddah
Records. Like the debut, 1974's "Smasher"
was co-produced by former Rascals Gene Cornish and Dino Danelli.
Similar to the debut, in various combinations singer/bassist Billy Hocher,
lead guitarist Eric Thorngen and keyboardist John Turi were responsible for
most of the material. While other folks may disagree, to
"Smasher" track listing: 1.) Flamengo (Billy Hocher - Eric Thorngren) - 4:16 rating: *** stars Starting off an album with a soft, wispy ballad like "Flamego" was an interesting decision. Not sure it was entirely successful, but with Billy Hocher and John Turi sharing lead vocals, it aptly displayed the band's knack for nice harmony vocals, if not the most original composition you've ever heard. 2.) Are You Really Happy Together (Billy Hocher - John Turi - Eric Thorngren) - 2:44 rating: *** stars "Are You Really Happy Together" had actually been recorded and released as a single while the band were still signed to Decca/MCA. Once it got going the track sounded a bit like Tom Jones trying out a rock ballad. Strange, if not altogether unappealing with Thorngen turning in a nice guitar solo. Shame it faded out just as the song was starting to generate some real heat.
- 1973's "Are You Happy Together" b/w "I'm a Madman" (MCA catalog number MCA-40014) 3.) Honeymoon Couple (Billy Hocher - Eric Thorngren) - 2:21 rating: *** stars Pretty, largely acoustic ballad that had some radio potential. 4.) Bad Bad Girl (Billy Hocher - Eric Thorngren) - 2:17 rating: *** stars Kicked along by a burping mini Moog (?), "Bad Bad Girl" sported a reggae-flavored melody and some easy-going, breezy vocals. Nah, there wasn't a single original thought or note on this one, but it was still mindless fun which probably explains why Buddah tapped it as a promotional single. The track also reappeared as the "B" side of the British "Brown Eyed Handsome Man" 45.
- 1974's 'Bad Bad Girls' (stereo) b/w 'Bad Bad Girls' (mono) (Buddah catalog number BDA 414)
5.) Brown Eyed Handsome Man (Chuck Berry) - 2:45 rating: ***** stars As on the debut, the band included a Chuck Berry cover. Personally I wouldn't have expected much from it, but shame on me, since their Bob Seger-styled cover was one of the album highlights. With Hocher trotting out his best Seger immitation, the band kicked butt on this tune. Easily the album's standout performance and should have been released as an American single, though it was released as a 45 in the UK. Funny to note that the label managed to mis-spell Chuck Berry's name as "C. Barry".
- 1974's "Brown Eyed Handsome Man" b/w "Bad Bad Girl"(Buddah catalog number BDS 404)
(side 2) 1.) I Tried To Slee (Billy Hocher - Eric Thorngren) - 4:08 rating: *** stars Nice, boozy Faces-styled rocker that would have sounded nice on FM radio. Curiously, judging by the lyric you would have thought the song title was "We All Had a Good Time". 2.) Ooh When You Smilep (Billy Hocher - John Turi - Eric Thorngren) - 2:39 rating: *** stars "Ooh When You Smile" was probably the album's most upbeat, pop tunes. It's always reminded me of a Three Dog Night tune. 2.) Rock 'n' Roll Hootchi Coo (Rick Derringer) - 4:56 rating: *** stars Admittedly changing the song title wasn't a big deal (Rick Derringer's original title was "Rock 'n' Roll Hootchie Coo" - for some reason they dropped the final 'e'), but slowing it down to a funeral march pace really didn't do the song any favors. I can clearly remember wondering if I needed to play around with the the speed adjustment on my turntable. Slowing the tune down also gave Hocher an opportunity to showcase his rock voice. 3.) I Tip My Hat (Billy Hocher - John Turi - Eric Thorngren) - 2:25 rating: *** stars "I Tip My Hat" was another previously released MCA single. Nice, somewhat surprising blend of Three Dog Night cuteness and Southern rocker.
- 1974's 'I Tip My Hat' b/w 'I'm a Madman' (MCA catalog number MCA-40050)
4.) I Tried To Sleep (Billy Hocher - Eric Thorngren) - 4:08 rating: ** stars Bland, AOR-ish ballad that could have been mistaken for scores of other mid-'70s outfits including Three Dog Night. Complete forgettable.
In retrospective, signing with Buddah (a label best known for bubblegum and MOR acts), probably wasn't a particularly good decision; underscored by the fact the album quickly following its predecessor into cutout bins. By the end of the year the band was also history.
© Scott R. Blackerby November 2022
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. In contrast, neither Cornish, nor Danelli contributed any
material. In addition Hocher handled most of the lead
vocals. And that might be the make-or-break factor for some
listeners. Musically the album found the band running though a
mixture of genres including pop (the single "No"), conventional rock
("Juicin'
with Lucy"),
and country-blues ("Have a Nice Day"). The performances
were all professional and occasionally even better - check out the single
"No". So back to Hocher. As lead singer he had a voice that
could be best described as soulful. Seriously soulful in the way you
were left wondering how a skinny 20 something white guy could sound like a
60 year blues guy. The less charitable listener might describe his
voice as ravaged. When he didn't kick into overdrive and simply
try to scream his way through a song, Hocher was quite impressive, showing
an ability to handle everything from country-blues to Faces-styled hard rock
("Juicin' with Lucy").
When he went "heavy" the results quickly turned to aural
sludge. For better or worse, Hocher's voice remains the one
feature that sticks with you after the album's finished. Did it
make to a great LP? Nope. Not by a mile, but there was definitely some
potential here.
my ears musically
this set sounded quite different from the debut. The most
obvious difference came in the fact Hocher's vocal excesses were paired way
back. He still had one of the most soulful voices you've ever
heard, but surrounded by fuller production and a new focus on pop
oriented tunes, this wasn't "Bulldog, Part 2". Sanding
the edges off their original sound was a mixed blessing. The set was
certainly more conventional and commercial, but whatever unique sound they had was also
scrubbed away, leaving them as a fairly conventional AOR band.
Interestingly a couple of the tunes had previously been released as non-LP
singles while the band were still signed to
Decca/MCA. Kind of hard to say a great deal about this
one. You've
heard better. You've hear worse. Yeah, there were a couple
of nice performances here - their version of
"Brown Eyed Handsome Man"
was one of the best Chuck Berry covers I've ever heard and
"Are You Really Happy Together"
was a decent enough single, but for the most part this was pretty
pedestrian. For what its worth, as shown in the liner
notes, the side two track listing was out of sequence. The
review comments put the songs in the actual playing order.
