Winstons, The


Band members               Related acts

- G.C. Coleman  (aka Gregory Sylvester Coleman) 

  (RIP 2006) -- vocals, drums (1968-70)

- Ray Maritano -- vocals, sax (1968-70)

- Quincy Mattison (RIP) -- vocals, lead guitar (1968-70)

- Sonny Peckrol -- vocals, bass (1968-70)

- Richard Spencer -- lead vocals, sax (1968-70)

- Phil Tolotta -- vocals, keyboards (1968-70)

 

 

 

- Hillow Hammet (G.C. Coleman)

- Leroy Taylor & The Four Keys (Richard Spencer)

 


 

Genre: soul

Rating: 3 stars ***

Title:  Color Him Father

Company: Metromedia

Catalog: MD 1010

Year: 1969

Country/State: Washington, D.C.

Grade (cover/record): VG / VG

Comments: minor ring wear; name 'Linda Weatherbee 7 September 1975' in ink on top edge

Available: 1

GEMM catalog ID: 5011

Price: $50.00

 

 

This short-lived Washington, D.C. based outfit deserves to be recognized if only for being a racially integrated unit and for having recorded one of soul's forgotten classics - 'Color Him Father'. 

 

 

top right to left:  Richard Spencer - G.C. Colrman

middle:  Sonny Peckrol - Quincy Mattison

bottom: Phil Tolotta - Ray Maritano

 

Drummer G.C. Coleman had been a Motown sessions player and along with guitarist Quincy Mattison, and singer/sax player Richard Spencer worked for awhile as a member of Otis Redding's band.  By the late-1960s all three were living and working in Washingon, D.C.  With the addition of sax player Ray Maritano, bassist Sonny Peckrol and keyboardist Phil Tolotta they started playing local clubs as The Winstons.  The group's first break came when Curtis Mayfield and the Impressions spotted them in a club, hiring them as their backing band.  The working relationship saw them debut on their own with a 1968 single for Mayfield's Curtom label 'Need a Replacement' b/w ''AIn't Nothing Like a Little Lovin' (Curtom catalog number CR-8546).  Unfortunately, Curtom quickly dropped them, though the following year the reappeared on the New York-based Metromedia label.  

 

Any song with a title like 'Color Him Father' should be a thoroughly cloying piece of cheese.  That said, this Spencer-penned number somehow managed to avoid that fate.  Part of the explanation may have to do with the fact both the melody and lyric recalled something out of Curtis Mayfield's catalog.  Released as a single the result was a massive R&B and pop hit and a Grammy for Best R&B Song ('Color Him Father' b/w 'Amen Brother' (Metromedia catalog number MMS-117).  

 

 

As was standard marketing procedure the group was rushed back into the studio to record a supporting album.  Produced by Don Carroll, 1969's "Color Him Father"  simply served to showcase the fact these guys had talent, but really weren't ready for prime time.  With the tile track standing as the only original song, the rest of the album was a distinctly mixed bag.  Showcasing a weird mixture of popular hits and show tunes, Spencer and company did their best to make it sound cool and happening, but there were simply limits on what you could do with something as MOR-ish as 'I've Gotta Be Me' and 'The Days of Sand and Shovels'.  Mind you most of the performances weren't half bad.  Spencer had a voice that was simultaneously kind of gruff, but still quite commercial and when the band stuck with soul and numbers like 'The Chokin' Kind', their Sly and the Family Stone cover 'Everyday People' and the funky instrumental 'Amen Brother' they were killer.  A little more time; a better set of material and they could have been killer.

 

"Color Him Father" track listing:
(side 1)

1.) Color Him Father   (Richard Spencer) - 3:06

2.) I've Gotta Be Me   (W. Marks) - 2:33

3.) The Chokin' Kind   (H. Howard) - 2:25

4.) The Greatest Love   (Allen Toussaint) - 3:47

5.) A Handful of Friends   (Don Carroll) - 3:05

6.) Everyday People   (Sly Stewart) - 2:08

(side 2)
1.) The Days of Sand and Shovels   (D. Marsh - B. Reneau) - 3:58

2.) Birds of a Feather   (Joe South) - 2:44

3.) Only the Strong Survive   (Kenny Gamble - Leon Huff - Jerry Butler) - 3:00

4.) Traces   (Buddy Buie - J.R. Cobb - E. Gordy) - 2:35

5.) Amen, Brother (instrumental) (arranged by the Winstons) - 2:35

 

In spite of the hit title track the parent album did little commercially and Metromedia subsequently dropped the band.  A couple of non-LP singles and they were history by 1970.

 

- 1970's 'Love of the Common People' b/w 'Wheel of Fortune' (Metromedia catalog number MMS-142)

 

 

- 1970's 'Birds of a Feather' b/w 'The Greatest Love' (Metromedia catalog number MMS-151

 

Credited to 'Richard Spencer and the Winstons: 

- 1970's 'Say Goodbye to Daddy' b/w 'Mama's Song' (Metromedia catalog MMS-166)

 

 

Coleman went on to record with the rock band Hillow Hammet, The Georgia Power Band and other outfits.  He died in September 2006.

 

A couple of years ago I got a call from Spencer who was kind enough to tell me that after his stint with the group he went back to school, eventually working for Washington's Metropolitan Transit Authority for some 30 years.  After retiring he moved to North Carolina and taught high school social studies and published a novel in 2003: The Molasses Tree: A Southern Love Story (Lulu Press ISBN: 978-1-4116-0192-5) 

 

 

Tolotta lives in Southern Florida and apparently still plays bass locally.

 

A gentleman by the name of Joe Phillips now owns The Winstons trademark.  In 1996 he reactivated the group.  While there are no original members involved in the band, the Joe Philips a version of The Winstons (The Winstons Orchestra) continues to record and tour.  Here's a link to their website:

 

http://www.geocities.com/Hollywood/Agency/3263/

 

 


 

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