The Darling Buds
Band members Related acts
line up 1 (1986 -87) - Geraint Harley Farr -- guitar - Richard Bloss Gray -- drums, percussion - Andrea Lewis (aka Andrea Lewis Jarvis) -- vocals - Simon -- bass
line up 2 (1987-90) - Geraint Harley Farr -- guitar - Richard Bloss Gray -- drums, percussion - Andrea Lewis (aka Andrea Lewis Jarvis) -- vocals - Chris McDonagh -- bass (replaced Simon)
line up 3 (1990-92) - Geraint Harley Farr -- guitar NEW - Jimmy Hughes -- drums, percussion (replaced Richard Bloss Gray) - Andrea Lewis (aka Andrea Lewis Jarvis) -- vocals - Chris McDonagh -- bass
line up 4 (1992) NEW - Matt Gray -- guitar (replaced Geraint Harley Farr ) NEW - Jon Lee -- drums, percussion (replaced Jimmy Hughes) - Andrea Lewis (aka Andrea Lewis Jarvis) -- vocals - Chris McDonagh -- bass NEW - Paul Chas Watkins -- guitar
line up 5 (1992-93) - Matt Gray -- guitar NEW - Dennis McCartney -- drums, percussion (replaced Jon Lee) - Andrea Lewis (aka Andrea Lewis Jarvis) -- vocals - Paul Chas Watkins -- guitar
line up 6 (2010) - Matt Gray -- guitar NEW - Julian Hayes -- bass (replaced Chris McDonagh) - Andrea Lewis (aka Andrea Lewis Jarvis) -- vocals NEW - Eric Stams -- drums, percussion (replaced Dennis McCartney) - Paul Chas Watkins -- guitar
line up 7 (2013-present) - Matt Gray -- guitar - Andrea Lewis (aka Andrea Lewis Jarvis) -- vocals NEW- Chris McDonagh -- bass (replaced Julian Hayes) - Eric Stams -- drums, percussion - Paul Watkins -- guitar
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- Black (Jimmy Hughes) - Feeder (Jon Lee) - Soldier Dolls (Matt Gray)
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Genre: alternative rock Rating: 4 stars *** Title: Pop Said Company: Columbia Catalog:
AL 45208 Country/State: Caerleon, Wales Grade (cover/record): VG+/VG+ Comments: includes original inner sleeve Available: 1 Catalog ID: 3518 Price: $20.00
Best time to play: sunny, summer day with your convertible top down |
I believe this was the first CD I ever bought - I think I saw one of their promotional videos on MTV and having formed an instant crush on lead singer Andrea Lewis Jarvis, I seem to remember buying a copy of "Pop Said" in a small CD/music store in Crystal City, Virginia and being sooooooo excited to join the CD revolution. And here I am four decades later, equally excited to have scored a copy of the original vinyl pressing. Not only that, but hearing these tunes for the first time in twenty years, I've got to tell you they're every bit as good as I remember.
I'm not a Darling Buds scholar but their abbreviated bio runs something like this. Featuring guitarist Geraint Harley Farr , drummer Richard Bloss Gray, singer Andrea Lewis Jarvis and a bassist named Simon, in 1986 they came together in the small Welsh town of Caerleon.
Their recording debut came in 1987 when they were featured on one side of a flexi-disc; the flip side featuring the band Bubblegum Splash. Their song 'Spin' a re-recorded version of the song appeared on their debut LP "Pop Said"
1987's 'Spin' b/w 'If Only' (Bonk catalog BONK ON 001)
With money he'd earned working at Loco Studios, guitarist Farr financed the band's next release : - 1987's 'If I Said' b/w 'Just To Be Seen' (Darling Buds catalog number DAR 01)
In an effort to attract a label, guitarist Harley hand delivered copies of their single to BBC DJs John Peel, Janice Long, and various British music publications. And in one of those storybook endings, Peel and Long actually listened to the tapes and started playing the demos on their shows, with The New Musical Express and Melody Maker publishing stories about the unsigned band.
The resulting publicity saw the band sign with Kevin Donoughue's Sheffield-basedl Native Records which released a pair of EPs:
7" UK release 1988's 'Shame On You' b/w 'Valentine' (Native catalog number BUD 1) 12" UK release 1988's 'Shame On You' and 'Valentine' b/w 'Uptight' (Native catalog number 12 BUD 1)
7" UK release 1988's 'It's All Up To You' b/w 'Think of Me' (Native catalog number NTV 33) 12" UK release 1988's 'It's All Up To You' and 'Think of Me' b/w 'That's the Reason' (Native catalog number 12 NTV 33)
CBS/Epic subsequently acquired rights to the band, signed them to a contract and putting them in the studio with producer Pat Collier. Featuring an all original set of material penned by guitarist Farr and singer Lewis, "Pop Said" was a surprisingly accomplished collection for such a young outfit (Lewis was 18 at the time). Musically the collection frequently gets compared to Debbie Harry and Blondie, but other than the fact Lewis was a attractive blonde and the band had a knack for commercial melodies, the comparisons miss the mark with my ears. In fact, if I had to pick a band to compare them to, it would be The Bangles. Exemplified by songs like 'Hit the Ground', 'The Other Night' and 'She's Not Crying', upbeat, chirpy songs focusing on the ups and downs of affairs of the heart were firmly in Bangles territory. With virtually ever one of these ten tracks having commercial potential, it was hard to pick a standout performance. If pushed into a corner, I'd go with the single 'Burst' and 'The Other Night'. Elsewhere 'Uptight' and 'Shame On You' had previously been released on an EP released by their prior label Native Records. The mystery is why Columbia didn't make more of an effort to break them to an American audience.
One of those albums that evokes a certain timeframe in my life and sounds as good today as it did back then.
"Pop Said" track listing: 1.) Hit the Ground (Harley Farr - Andrea Lewis) - 2:19 rating: **** stars 'Hit the Ground' was a near perfect slice of jangle pop that should have made these guys major stars in the US !!! Lewis' bouncy voice coupled with Farr's growling guitar made it almost irresistble, making it hard to understand why it was never released as a single in the States. The track was tapped as a 7" and 12" single in the UK and throughout much of the world : 7' UK single 1988's "Hit the Ground' b/w 'Pretty Girl' (Epic catalog number BLOND 2) 12" UK single 1988's "Hit the Ground' and 'Pretty Girl' b/w 'If I Said' and 'Hit the Ground' (Epic catalog number BLOND T2)
Remember when MTV actually played music videos? Well here's the link to the promotional video for this one: https://www.youtube.com/watch?v=cDLL7v37xLY
2.) Burst (Harley Farr - Andrea Lewis) - 2:51 rating: **** stars On an album literally spilling over with commercially viable tracks, 'Spin' was probably the most radio friendly of the pile. Not to sound like a broken record, but with a criminally addictive hook, Farr's buzz saw guitar, and Lewis' multi-tracked lead vocals, this one sounded like a Welsh version of The Bangles. Maybe my ears are playing tricks on me, but it was also one of the few performances where you could here a touch of Welsh accent in the delivery. That was all meant as a good thing. And here's a link to the MTV promo video: https://www.youtube.com/watch?v=KoL3TUfLStg 7" UK release - 1988's 'Burst' b/w 'Big Head' (Epic catalog number BLOND 1) 12" UK release - 1988's 'Burst' and 'Big Head' b/w 'Bust' and 'Just Say No' (Epic catalog number BLOND T1) 3.) Uptight (Harley Farr - Andrea Lewis) - 2:48 rating: **** stars Yeah, most of the album was pretty lightweight, but the fact remained Lewis had an awesome voice, more than capable of holding her own on tougher rock oriented numbers. The rousing 'Uptight' was another tune that would have made a dandy single. The tune had previously been released on one of the two EPs the band recorded for Native Records. 4.) The Other Night (Harley Farr - Andrea Lewis) - 2:22 rating: **** stars Sheer pop perfection - just a wonderful summer tune. Again, you had to wonder why this one wasn't tapped as a single. YouTube also has a 1988 live performance of the song showing a band with a much tougher edge and once again you can hear and see a touch of Blondie influences:: https://www.youtube.com/watch?v=Y4ts0WHMiFM 5.) Big Head (Harley Farr - Andrea Lewis) - 2:34 rating: *** stars Again, 'Big Head' wasn't going to get them mistaken for a punk outfit but 'Big Head' had a nice in-your-face swagger that probably sounded even tough in a live environment.
(side 2) 1.) Let's Go Round There (Harley Farr - Andrea Lewis) -2:36 rating: **** stars 'Let's Go Round There' was easily one of the album's bounciest tunes (hard to say that when the whole album was bouncy. I've always been a little skeptical of the Blondie comparisons, but on the bouncy 'Let's Go There" I can hear a little bit of it - particularly if Debbie Harry and her cohorts had been raised in Wales. Here's a link to the MTV promotional video: https://www.youtube.com/watch?v=DolhYogMYtA Another single. I must admit Lewis sure could dance. 7" UK release - 1989's 'Let's Go Round There' b/w 'Turn You On' (Epic catalog number BLOND 3) 12" UK release 1989's 'Let's Go Round There' and 'Turn You On' b/w 'Different Daze' (Epic catalog number 654731 6) 2.) She's Not Crying (Harley Farr - Andrea Lewis) -2:07 rating: **** stars I'm just a sucker for chirpy jangle rock and this delivers an overdose of the genre in just over two minutes. Very Bangles-esque complete with overdubbed vocal harmonies. Sweet, sweet, sweet .... 3.) Shame On You (Harley Farr - Andrea Lewis) - 2:01 rating: **** stars 'Shame On You' was one of three tracks previously recorded and released for Native records. Opening with a wonderful Chris McDonagh bass line, the track' featured a bouncy, vaguely new wave-ish feel. It was one of those songs you almost had to pogo to. 4.) You've Got To Chose (Harley Farr - Andrea Lewis) -2:17 rating: **** stars 'You've Got To Chose' saw the band adding a slightly rawer flavor to their patented sound. nah, you weren't about to mistake them for The Slits, but it made for a nice change-up. It was also released as a single: 7" UK single: - 1989's 'You've Got To Chose' b/w 'Mary's Got To Go' Epic catalog number BLOND 4) 12" UK release - 1989's 'You've Got To Chose' and 'Mary's Got To Go' b/w 'I'll Never Stop' Epic catalog number BLOND T4) 5.) Spin (Harley Farr - Andrea Lewis) - 2:41 rating: *** stars Always loved Farr's gritty lead guitar on 'Spin'. In this case his guitar served to offset a touch of the band's overly sugary sound.
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Genre: alternative rock Rating: 2 Title: Crawdaddy Company: Columbia Catalog:
AL 45208 Country/State: Caerleon, Wales Grade (cover/record): VG+/VG+ Comments: includes original inner sleeve Available: 1 Catalog ID: 3518 Price: $20.00
Best time to play: sunny, summer day with your convertible top down
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Sophomore slump ? Not for The Darling Buds !!! Seriously, 1990's "Crawdaddy" was every bit as good, if not better than their debut. With Harley Fair and singer/front woman Andrea Lewis responsible for penning all eleven tacks,
"Crawdaddy" track listing: 1.) It Makes No Difference (Harley Fair - Andrea Lewis) - 3:55 rating: **** stars I guess it is simply a part of getting older, but hearing the opener 'It Makes No Difference' takes me back to an earlier time in life ... I was a single dad and trying to find a balance between work, parental responsibilities, and cobbling together a new personal life - the one thing I didn't have was a lot of free time, but I could at least listen to the radio on the way to work and back ... one of those songs I clearly remember was this rocker. The dark lyrics seemed to strike fairly close to home. YouTube has a cool promotion video for the song at: https://www.youtube.com/watch?v=Li4V6TgqOIg 2.) Tiny Machine (Harley Fair - Andrea Lewis) - 5:45 rating: **** stars Say what you will about this band, but they managed to capture that unique jangle rock sound better than almost any of their contemporaries. Perhaps because it sounded like a quality Bangles song, 'Tiny Machine' has always struck me as one of the standout performances on this set. It was also tapped as the leadoff single:
- 1990's 'Tiny Machine' b/w 'Me? Satisfied?' (Epic catalog number BLOND 5)
YouTube has the promotional video that went with the single: https://www.youtube.com/watch?v=X2REIMPrnbU 3.) Crystal Clear (Harley Fair - Andrea Lewis) - 3:48 4.) Do You Have To Break My Heart (Harley Fair - Andrea Lewis) - 3:18 rating: **** stars Kind of a nifty Go-Gos vibe to this pop-ish tune. Very infectious. 5.) You Won't Make Me Die (Harley Fair - Andrea Lewis) - 3:45 rating: **** stars With a light, breezy melody, 'You Won't Make Me Die' was one of the album's most commercial and radio-friendly perfomances. Interesting that Epic didn't tap it as a single.
(side 2) 1.) Fall (Harley Fair - Andrea Lewis) - 3:56 2.) A Little Bit of heaven (Harley Fair - Andrea Lewis) - 3:46 3.) Honeysuckle (Harley Fair - Andrea Lewis) - 2:35 4.) So Close (Harley Fair - Andrea Lewis) - 5:29 5.) The ed of the Beginning (Harley Fair - Andrea Lewis) - 3:33
rawdaddy was The Darling Buds' third album. It was released on Epic Records in 1990 and featured the singles "Tiny Machine" and "Crystal Clear". The album's sound was more accomplished than on the band's debut album Pop Said.... The arrangements were lush, and with tracks like "Tiny Machine" clocking in at just under six minutes, the song lengths were relatively epic compared to the two-minute average on Pop Said....
Track listing[edit]All songs written by Harley Farr and Andrea Lewis
Singles[edit]
Members[edit]
Though some of the Blondie-isms of Pop Said remain, the Darling Buds' sophomore record is a musical progression from the debut and just as strong as its predecessor. Andrea Lewis turns in some saucy lyrics and sultry vocals, and the band throws inflections of glam guitar ("It Makes No Difference"), and state-of-the-art dance pop which rivals the best of St. Etienne ("The End of the Beginning"). As with Pop Said, this is quality fare throughout. It never loses steam, crystallizing with "So Close," a prime lovelorn tune that seems to reference the Buzzcocks' "Why Can't I Touch It." Altogether, Crawdaddysmacks of a band who amount to more than just a good pop group.
I
don’t play Crawdaddy as
much these days and almost feel it’s a guilty pleasure when I do. I
shouldn’t feel that way because this is decent enough pop music with
catchy melodies, jangly guitars, and clever keyboard work. This stuff
feels more eighties than nineties with the sound having a definite Blondie
influence, but then almost every pop band with a female lead vocalist that
formed in the late eighties was influenced by Blondie. This is where the Buds go sorta "Madchester". In 1990, many were doing it I suppose, what with the advent of the Happy Mondays and ecstacy tabs and acid house. To me, the whole scene reeked of psych undertones - the kids and bands and clubs were trying to recreate a 60s type vibe with 90s tinged dance rock hybrids and lots of drugs. A lot of the tempos started to sound like Deep Purple's "Hush". But that's cool. Whatever...it didn't change the pop smarts of our favourite Welsh indie kingpins, it just added more of a groove to their songs. That's
the first Darling Buds album I've heard and I liked it a lot. The general
picture of what they can do pans out much better in album format than on
their singles. Indie pop is a good description. Andrea Lewis on vocals
covers the material nicely and Geriant "Harley" Farr strums along
satisfactorily on guitar, without ever being particularly original or, for
that matter, reminding me of anybody else, and therefore distinctive. 3,85
rating. Nice album. Nice sound. |
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