line up 1  (1978)

- Dyan Diamond -- vocals, guitar, syndrums

  backing musicians (1978)

- Jerry Ackerman -- bass

- Chris Darrow -- mandolin, accordion, guitar, slide guitar,

  percussion

- Joseph Fitzgerald -- harp, keyboards

- Craig Magee -- lead guitar

- Randy Whelpley -- drums, percussion

- Venus and the Razor Blades (Dyan Diamond)

Genre: new wave

Rating: 3 stars ***

Title:  In the Dark

Company: MCA

Catalog:  MCA 3053
Year: 1978

Country/State: US

Grade (cover/record): VG+/VG+

Comments: cut top corner

Available: 1

Catalog ID: 31297

Price: $30.00

After the 1977 collapse of Venus and the Razorblades,  promoter/manager Kim Fowley turned his attention to promoting front woman Dyan Diamond as a solo act.  

Signed by MCA, Diamond made her solo debut with 1978's "In the Dark".  Produced by Fowley, the collection spotlighted Diamond's deep and rugged voice, as well as her overlooked compositional skills.  One of three covers, listening to her arrangement of the Jimmy Reed classic "Baby What Do You Want Me To Do" it was hard to believe she was only seventeen at the time the album was recorded.  Elsewhere, overlooked by virtually everyone, were Diamond's songwriting talents.  Nine of the twelve tracks were written, or co-written by Diamond.  You had to wonder how much co-writer Fowley contributed to the four tracks listing him as a co-writer. Lyrically much of the material was clearly biographical, inspired by her mid-'60s LA lifestyle ("Western Ave.") and while the material reflected occasional traces of her Venus and the Razorblades punk roots, rockabilly and Americana dominated much of the album including songs like the title track, "Back On the Strip", "Teenage Radio Stars" and her cover of Elvis Costello's "Mystery Dance".  Twelve songs with the longest clocking in at under four minutes ...  She certainly brought a sense of energy to the sessions and you had to admire anyone who had the strength to deal with someone like Fowley.

The album attracted positive reviews, but had minimal sales. Not the first artist to have issues with the infamous Fowley, Diamond subsequently parted ways with him, eventually dropping out of the music business.  

"In the Dark" track listing:
(side 1)

1.) Baby What Do You Want Me To Do  (Jimmy Reed) - 2:04   rating: *** stars

Kudos to Diamond for have the courage to cover this R&B classic.  I won't lie and tell you her version will change your life.  It won't.  On the other hand, her version was energetic and did not bring any shame with it.

2.) Western Ave. (Dyan Diamond - Kim Fowley) - 3:11 rating: *** stars

While she didn't have the most diverse voice I've ever encountered, there was something quite beguiling in her gruff, bad-girl delivery.  Wonder how much of this Fowley actually co-wrote ...

3.) Hot (Dyan Diamond) - 2:29 rating: *** stars

So 'Hot' wasn't the most complicated tune you've ever heard.  Basically Diamond breathing heavy and moaning a bit over a infectious little guitar and harmonica riff.  Still, you had to marvel that she was just 17 when she wrote and recorded track.

4.) Teenage Radio Stars (Dyan Diamond) - 2:52 rating: **** stars

Courtesy of Chris Darrow's mandolin, 'Teenage Radio Stars' found Diamond adding a bit of Tex-Mex/Americana influences to the punk/new wave mix.  I've always been surprised this wasn't the tune MCA tapped as a single.

5.) Someone Like Me (Dyan Diamond) - 2:47  rating: **** stars

With a radio-friendly melody the mid-tempo ballad 'Someone Like Me' was one of the album's most commercial performance and would have made a dandy single.

6.) Back On the Strip (Dyan Diamond) - 1:56 rating: *** stars

Punk energy meets rockabilly ...

(side 2)

1.) Mystery Dance (Elvis Costello) - 1:42  rating: *** stars

Given Elvis Costello's status as a late-'70s critics favorite, I guess it shouldn't have come as a surprise 'Mystery Dance' was the song MCA pushed as a single.  Diamond's performance was certainly energetic (if brief), but she really didn't bring anything magical to her cover. 

- 1979's 'Mystery Dance' b/w 'Western Ave.' (MCA catalog number MCA-40959)

2.) Animal Girl  (Dyan Diamond - Kim Fowley) - 2:33  rating: *** stars

Kicked along by some nifty wah-wah guitar, 'Animal Girl' was a nice slinky new wave tune.

3.) Nervous  (Chris Spedding) - 2:45  rating: *** stars

Her skitterish cover of Chris Spedding's 'Nervous' was pretty awesome, though the Donna Summer moans weren't really necessary.

4.) Your Neighborhood  (Dyan Diamond - Kim Fowley) - 2:42 rating: **** stars

Classic '60s girl group updated to the late-'70s. With her vocals multi-tracked, this one has always reminded me a little of something out of The Bangles catalog.  Complete with subtle nods to '60s history, I never would have expected something like this to work as well as it did.

5.) In the Dark (Dyan Diamond) - 3:57  rating: *** stars

Judging by the rockabilly-on-amphetamines paced title track, it was a shame Diamond was about a decade ahead of popular tastes ...

6.) Gonna Rock Ourselves To Death (Dyan Diamond - Kim Fowley) - 2:17 rating: **** stars

'Gonna Rock Ourselves To Death' closed the album with the collection's best rockabilly tune ... killer guitar performance.

The Diamond discography includes one mysterious non-LP single (aptly released on the shot lived, California based Mystery label). I've never heard the 45, let alone seen a copy:

-1978's 'Bend Me, Shake Me' b/w 'Is It Love' (Mystery catalog number MR 102A/B)

Ms. Diamond graciously dropped me a note clearing up a number of discrepancies in the original write-up:

"Regarding your website's info on performer Dyan Diamond, Dyan and Roni Lee were two separate people. Dyan never performed under that name. Roni Lee was Dyan's replacement in Venus and the Razorblades, and was also a solo act herself. This misinformation about Dyan Diamond as Roni Lee, and vice versa, seems to be listed on a few websites, but is not factually accurate.

In addition, MCA Records actually didn't drop Dyan; she was contracted directly to producer Kim Fowley, not the record label. When Diamond opted out of renewing her contract with Fowley, the record deal with MCA automatically ended.

In angry retaliation for her opting out of their legal agreement, Fowley threatened Diamond that she'd never get another record deal as long as he was alive, but apparently the trauma of being contracted to Fowley outweighed her desire to remain in the music business.

She did go on to play live shows independently for a time, performing self-written new material under her own name, but never recorded professionally again. A very private person, Diamond retired from the music scene soon after to pursue a quieter life.

Thanks!"

Dyan Diamond (July, 2025)

Out of respect for her privacy, I'll withhold her contact information.

© Scott R. Blackerby July, 2025