
Hardin & York with Charlie McCracken
Band members Related acts
|
line up 1 (1974) - Eddie Hardin -- vocals, keyboards - Richard Charlie McCracken -- bass - Peter York -- vocals, drums, percussion
supporting musicians: (1974) - Christine Holmes -- backing vocals - Liza Strike -- backing vocals - Barry St. John -- backing vocals
|
- Axis Point (Eddie Hardin) - The Spencer Davis Group (Eddie Hardin, Charlie McCarackern and Peter York - Eddie Hardin (solo efforts) - Hardin, York & Fenwick - Natural Magic(Eddie Hardin) - Taste (Charlie McCracken) - Wizard's Convention(Eddie Hardin) - Peter York's Percussion Band(Eddie Hardin)
|
|
Genre: pop Rating: 3 stars *** Title: Hardin & York with Charlie McCracken Company: Vertigo Catalog: 6360
622 Country/State: UK Grade (cover/record): VG+/VG+ Comments: -- Available: 1 Catalog ID: 873 Price: $30.00
|
Following a
mid-'70s reunion of The Spencer Davis Group, Eddie Hardin and
Peter York saw the their Hardin-York duo expand to include former Taste bassist Charlie McCracken - hence 1974's
cleverly titled 'Hardin & York with Charlie
McCracken". To be honest, the earlier "Hardin
/ York" debut wasn't a
"Hardin
& York with Charlie McCracken" track listing: 1.) Ain't No Breeze (Eddie Hardin - Roger Glover) - 3:13 rating: *** stars One of two tracks co-written with Deep Purple bassist Roger Glover, "AIn't No Breeze" was a decent, if pedestrian slice of hard rock. To be perfectly honest, the song's combination of keyboards and guitars gave the song a very Deep Purple-ish feel. Elsewhere, York's solo spot was a needless waste of time. I like Deep Purple, but was this anything special ? Nope. 2.) Back Row Movie Star (Eddie Hardin) - 4:48 rating: *** stars Other than the cheesy '70s synthesizers, "Back Row Movie Star" wasn't a half bad stab at a commercial viability. Musically the song was kind of strange with the first half showcasing a mid-tempo ballad, while the second section found the band picking up the pace (and unfortunately the quotient of synthesizer activity). Regardless, it was pretty commercial which it probably why Vertigo tapped it as a German single.
- 1974's "Back Row Movie Star" b/w "Wish I'd Never Joined a Band" (Vertigo catalog number 6147 008)
3.) Freedom (Eddie Hardin) - 10:03 rating: *** stars "Freedom" was an extended, multi-sectioned, largely instrumental jam that showcased all three member's technical proficiency; Hardin's stabbing keyboards seemingly getting disproportional attention ('course he wrote the tune). The first part of the ten minute plus effort sounded like mixture of a basement progressive band and something off of a Young-Holt Trio jazz-soul album. The second section found the trio shifting to more of a Stax/Booker T. mode with lots of what sounded like Hammond B organ. From there the tune saw Hardin move over to synthesizers and a mildly progressive feel. The final section shifted to bluesy-ballad with one of Hardin's better vocals. Pleasant, but nothing that was going to change your life.
(side
2) I'm guessing the title was meant to be ironic ... otherwise "Wish I'd Never Joined a Band" was actually one of the album's better tracks with a bouncy melody and some of Hardin's nicer synthesizer moves. The life-is-hard-on-the-road lyrics were a bit tired, but so what. The song was also tapped as the "B" side on their "Back Row Movie Star" 45. 2.) Clubtop (instrumental) (Eddie Hardin) - 4:16 rating: ** stars "Clubtop" started out with some needless synthesizer noodling, before shifting over to some needless avant-garde percussion moves and sound effects and then exploding into what sounded like the theme song for a second rate circus. 3.) Some Sweet Dream (Eddie Hardin) - 5:05 rating: **** stars Another track that started out sounding like something out of the Deep Purple catalog, but to their credit Hardin and York managed to inject a commercial edge to the song (nice chorus) and York's percussion fills actually gave "Some Sweet Dream" a funky edge. 4.) Loving You's So Easy (Eddie Hardin) - 5:13 rating: ** stars Their spelling, not mine - "Loving You's So Easy'" was a bland, synthesizers propelled ballad that simply never kicked into gear. The backing singers and thunderstorm sound effects were clearly intended to give the track some gravities, but just made it sound more cheesy.
© Scott R. Blackerby September 2024
|
BACK TO BADCAT PAYMENT INFORMATION