The Legend
Band members Related acts
line up 1 (1968) - Jack Clay Duncan -- bass - Barry Davis -- drums, percussion, backign vocals - Gerry Jimmerfield - vocals, guitar - Randy Russ -- lead guitar, backing vocals - Ernie McElwaine -- keyboards, backing vocals
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- Big Sonny and the Loboys In Heat (Randy Russ) - Dragonfly (Jack Clay Duncan, Barry Davis, Gerry Jimmerfield and Randy Russ) - The Lords of London (Gerry Jimmerfield) - The Obvious (Gerry Jimmerfield) - The Pawns ??? - Mike Renolds and the Infants of Soul (Randy Russ)
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Genre: rock Rating: *** (3 stars) Title: The Legend Company: Megaphone Catalog: S-101 Country/State: El Paso, Texas Year: 1968 Grade (cover/record): VG+/VG+ Comments: -- Available: 1 Catalog ID: 6293 Price: $175.00 |
Not to be confuse with the late-1960s English band Legend (featuring Mickey Jupp), or a late-1970s Connecticut progressive outfit, I simply don't know much about this quintet.
The slim liner notes accompanying their sole album credited the membership as E. Brooks, B. Corso and S. Romans. The album cover image clearly showed five faces. Adding to the mystery, there were no performances credits on their album. Not that it mattered given the line-up consisted of bassist Jack Clay Duncan, drummer Barry Davis, singer Gerry Jimmerfield, lead guitarist Randy Russ and keyboardist Ernie McElwaine.
Popular on
Colorado's clubs scene, the band saved up their money and headed for
California where they auditioned for several labels, eventually signing with
Marty Brooks and Tony Sope's small Encino-based Megaphone Records where they
began to record so
"The Legend" track listing: (side
1) Their cover of The Troggs hit 'With a Girl Like You' wasn't a major departure from the original version, but it's always fascinated me, if only due to the fact vocalist Gerry Jimmerfield has a strange accent that I've never been able to place. Great tune, with a touch of Merseybeat harmonies and there was even plenty of cowbell ... 2.) The Sky That Is Blue (B. Corso) - 2:47 rating: **** stars 'The Sky That Is Blue' was a breezy, mid-tempo pop song that showcased some nice vox organ and wonderful group harmony vocals that would made The Beach Boys proud. 3.) Zepplin's Good Friday (E. Brooks - S. Romans) - 2:42 rating: **** stars Kicked along by Ernie McElwaine's wonderfully cheesy organ, 'The Sky That Is Blue' had one of those classic mid-1960s vibes - imagine something that tried to cross The Young Rascals and The Beatles. Highly commercial with some nice fuzz guitar in the background. 4.) Where Oh Where Is Mother (B. Corso) - 3:03 rating: **** stars The album's first out and out rocker and one of the album's few psych-tinged numbers, 'Where Oh Where Is Mother' was built on an intriguing mixture of fuzz guitar, electric harpsichord, weird studio sound effects, and another display of the band's impeccable harmony vocals. This was another one where Jimmerfield displayed a noticeable accent. 5.) Yesterday's Child (B. Corso) - 2:31 rating: ** stars The first disappointment, pulling a page out of The Beatles songbook, 'Yesterday's Child' was seemingly a stab at writing a socially relevant ballad -- in this case the storyline being life sucks when you get old. Insightful and pretty, but it wasn't quite 'Eleanor Rigby'. 6.) Eyes of the World (Don McGinnis) - 2:27 rating: *** stars Though it was heavily orchestrated, 'Eyes of the World' was another big message song, though it was also one of the album's most interesting performances with some wild assed lead guitar and an energetic Jimmerfield lead vocal. For a band from Texas, they certainly managed to adopt an English twang in this performance. The song was tapped as an Australian 45:
- 1968's 'Eyes of the World' b/w 'The Kids Are Allright' (Astor catalog number A 7097)
(side
2) While it wasn't going to make you forget the original, their vox-powered cover of The Who's 'The Kids Are Allright' (their spelling, not mine), was actually pretty good with some chugging drums and a nice, fuzz-drenched lead guitar. Even more impressive as earlier adopters of The Who. 2.) Cold Wind In August (B. Page) - 2:32 rating: *** stars One of the album's most pop-oriented efforts, 'Cold Wind In August' had a decent commercial tinge, but was a bit pedestrian for my tastes (though the song had a great bass line throughout and the backing harmony vocals were nice). Extra star for those glistening harmonies. 3.) Sunny Day (E. Brooks - S. Romans) - 2:11 rating: **** stars Another stab at top-40 commerciality, 'Sunny Day' had a pleasant sunshine-pop feel to it with backing vocals that would have made John Phillips and The Mamas and The Papas smile. 4.) You'll Be Sorry Someday (B. Corso) - 2:41 rating: *** stars With the band playing at hyper-speed (wonder what substances they'd ingested during the recording sessions ...), 'You'll Be Sorry Someday' was simply hysterical. Nice fuzz solo at the tail end of the track. 5.) Gigi (Lerner - Loewe) - 2:17 rating: *** stars I've always been a pushover for harpsichord, so his one grabbed my attention from the opening chords. The fact that ballad 'Gigi' sounded like a Left Banke outtake didn't hurt either. It certainly wouldn't appeal to everyone, but so what ... 6.) Baby Blue (Bob Dylan) - 5:27 rating: **** stars So if you're going to do a Dylan cover why not toughen it up and give it a fuzz-driven garage edge? To their credit that's exactly what these guys did on their version of 'Baby Blue'. With Jimmerfield sounding like he'd been drinking Drano, along with the totally biazrro sitar closing the result was one of the album's best tracks and one of the best Dylan covers I've ever heard.
- 1968's 'Baby Blue' b/w 'The Kids Are Allright' (Megaphone catalog number R 701)
There were also a non-LP single:
- 1968's 'Portrait Of Youth' b/w 'Enjoy Yourself' (Megaphone catalog number 703)
I suspect it isn't a legitimate release, but the English Fallout label reissued the album in CD format with four bonus tracks (Fallout cataog number FOCD 2087)
bonus tracks: 1.) Portrait Of
Youth (G. Jimerfield)
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