- Augie Meyer (aka August Meyers) -- keyboards, rhythm guitar

  backing musicians (1971)

- Mory Baker -- drums

- B.J. Jones -- lead guitar

- Sandy Jones --  backing vocals

- Harvey Kagan -- bass

- Jim Loving -- bass

- Carol Meyer -- vocals

- John Perez -- drums, percussion

- Don Pouncher -- drums

- David Price -- guitar

- Bob Rafkin -- guitar

- Steve Zwiern -- drums

- Lord August and The Visions of Life (Augie Meyer)

- The Quintet

- The Sir Douglas Quintet (Augie Meyer)

- The Texas Tornados( Augie Meyer)

- Visions of Lite (Harvey Kagan)

Genre: pop

Rating: 3 stars ***

Title:  Augie's Western Head Music Co.

Company: Polydor

Catalog: 24 4069
Year: 1971

Country/State: San Antonio, Texas

Grade (cover/record): VG+/VG+

Comments: --

Available: 1

Catalog ID: 138

Price: $35.00

If you live in Texas you probably know who Augie Meyer (or Augie Meyers) is and there's a good chance you own some of his music in your collection.  If you don't live in Texas, chances are that if you recognize his name its in connection with his long standing partnership with the late Doug Sahm and The Sir Douglas Quintet.  The latter explains my connection ...

The early 1970s found Augie Meyer having moved back to San Antonio Texas where he formed The Western Head Band which included his wife Carol, Sir Doug Quintet alumni Harvey Kagan and John Perez, and an extended assortment of musical friends.  Meyer's successes with Sir Douglas Quintet helped him land a contract with Polydor which resulted in the release of a 1971 album - the self-produced "Augie's The Western Head Band".  So, first a word of warning - anyone expecting to hear some Sir Douglas Quintet-styled blues-rock was likely to be disappointed.  Instead, Meyers and company offered up a collection of easy-going, slightly stoned, country-ish material that bore more than a passing resemblance to the kind of stuff Commander Cody and the Lost Planet Airmen were recording.  Equally disappointing, with a couple of exceptions, notably the brief 'Hen Pecked Polka'', Meyer's patented Vox wasn't spotlighted very often.  I'll be honest and admit that more country-oriented material like 'Riding Down the Canyon' and 'Magnolia' didn't do a great deal for me, though I'll readily admit those songs benefited from Meyer's flat, uncomplicated, and occasionally out-of-tune voice.  Far more impressive was the lone rocker 'Slow Times Coming' and two of the collection's more commercial performances - 'Blue Mountain Eagle' and the pretty acoustic ballad 'Wild Rain Storm'.  An extremely short collection (it didn't even clock in at thirty minutes), Meyer and company didn't sound like they'd put too much effort into the album, though you got the impression they'd had a wonderful time recording the collection.  

The album apparently sold well in Texas where Meyer and the band were a popular club act, but it did nothing on the national charts.  With respect to the cover photo, I'll leave it up to your imagination to decide what Meyer's was holding in his left hand ...

For anyone interested, Meyer has a web presence at: http://www.augiemeyers.com/

"Augie's Western Head Music Co." track listing:
(side 1)

1.) Only a Hobo   (Bob Dylan) - 3:18    rating: ** stars

Meyer's cover of Dylan's 'Only a Hobo' brought a distinctive Tex-Mex/country flavor to the tune.  Showcasing Meyer and his wife of lead vocals, the song had a nice low-tech feel, punctuated by some bright horns and Mayer's Vox solo.  A touch too country for my tastes, but still mindless fun.

2.) Blue Mountain Eagle   (Augie Meyer) - 2:18   rating: *** stars

Probably the album's most commercial offering, the Meyer-penned 'Blue Mountain Eagle' was a pretty, laconic country-rock ballad that would have sounded at home on top-40 radio.  It would have sounded even better without the chirping female backing singers.  

3.) Riding Down the Canyon   (W.R. Callaway - Carl DeVires) - 2:13    rating: ** stars

A straight-ahead country number, 'Riding Down the Canyon' sounded like something off of a Commander Cody and the Lost Planet Airmen album.   Pretty enough, but there wasn't a single rock and roll note here.  

4.) Ogla Mahula   (Augie Meyer) - 2:00    rating: ** stars

Well, the kazoo solo was cute, but elsewhere the breezy ballad 'Ogla Mahula' sounded like something Leon Redbone might have recorded.  

5.) Roll Up Some Inspiration   (Augie Meyer) - 3:38   rating: *** stars

If you could overlook the non-to-subtle title, 'Roll Up Some Inspiration' was actually a pretty little ballad.  Built on some simple strumming 12 string guitar, Meyer talked-sang his way through a surprisingly sweet paean to the joys of an illicitly powered, but extremely happy lifestyle.   

(side 2)
1.) Don't Take Your Love from Me   (B. Farlow) - 2:30   rating: *** stars

In spire of the fact it was a breezy, country-twang ballad, 'Don't Take Your Love from Me' actually had on of those sneaky hooks that kind of crept into your head and wouldn't leave.     

2.) Magnolia   (Augie Meyer) - 2:00    rating: * star

Plodding and with some of the lamest lyrics you've ever heard, wish I could say something nice about the bluesy 'Magnolia' ...    Well, it was short.     

3.) Slow Times Coming   (Augie Meyer) - 2:03 

My pick for the standout performance, 'Slow Times Coming' was an atypical up-tempo rocker with a snarling edge and some first rate lead guitar from B.J. Jones.  Shame Meyer didn't include a couple more tunes like this and shame it was such a short track.   rating: **** stars

4.) Wild Rain Storm   (Augie Meyer) - 3:56  rating: **** stars

The haunting acoustic ballad 'Wild Rain Storm' is simply one of the prettiest things Meyer has ever written.  Simply gorgeous ...  

5.) Hen Pecked Polka   (Augie Meyer) - 3:25   rating: *** stars

If for no other reason than it showcased Meyer's patented Vox, the two stepping 'Hen Pecked Polka' offered up two minutes of goofy fun.

6.) Society 4-F   (Augie Meyer - Danny Ezba) - 3:00    rating: ** stars

Another track that showcased Augie and wife Carol on lead vocals, 'Society 4-F' closed the album with a country ballad.  Pleasant, though the highlight was hearing Meyer's spoken word fade out ...