T-Rex
Band members Related acts
line up 1 (1967-69) - Marc
Bolan (aka Mark Feld) (RIP 1977) -- vocals, guitar
line up 2 (1969-70) - Marc
Bolan (aka Mark Feld) (RIP 1977) -- vocals, guitar
line up 3 (1970-731 - Marc
Bolan (aka Mark Feld) (RIP 1977) -- vocals, guitar - Steve Currie (RIP) -- bass
line up 4 (1971-73) - Marc
Bolan (aka Mark Feld) (RIP 1977) -- vocals, guitar - Steve Currie (RIP) -- bass - Bill Legend (aka Bill Fifield) -- drums
line up 5 (1973) - Marc
Bolan (aka Mark Feld) (RIP 1977) -- vocals, guitar - Mickey Finn -- bongos (1969-70) (replaced Steve Perregrine-Took) - Jack Green -- lead guitar - Gloria Jones -- keyboards - Bill Legend (aka Bill Fifield) -- drums
line up 6 (1973-76) - Marc
Bolan (aka Mark Feld) (RIP 1977) -- vocals, guitar - Dino Dines -- keyboards - Mickey Finn -- bongos (1969-70) (replaced Steve Perregrine-Took) - Jack Green -- lead guitar - Gloria Jones -- keyboards - Davy Lutton -- drums (replaced Bill Legend)
line up 7 (1976-77) - Miller Anderson -- lead guitar -
Marc
Bolan (aka Mark Feld) (RIP 1977) -- vocals, guitar - Herbie Flowers -- bass (replaced Steve Currie) - Tony Newman -- drums (replaced Davy Lutton)
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- Big Carrot - Marc Bolan (solo efforts) - Dib Cochran and the Earwigs - Mickey Finn's
T.Rex - John's Children (Marc Bolan) - Legend (Bill
Legend)
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Genre: rock Rating: *** (3 stars) Title: T-Rex Company: Reprise Catalog: MS-6440 Year: 1971 Country/State: UK Grade (cover/record): VG / VG Comments: gatefold sleeve Available: 1 Catalog ID: 4322 Price: $20.00 |
Having enjoyed a
massive taste of popular success via the single "Ride a White
Swan" b/w "Summertime Blues" (Blue Thumb catalog number BTS
7121), the duo returned to the studios with producer Visconti. 1970's "T.
Rex" marked a major turning point for Bolan. While
tracks such as "The Visit" and "Suneye" retained the
same pseudo-folk/hippy/trippy orientation as his Tyrannosaurus Rex catalog,
much of the album found the pair pursuing a surprisingly straightforward
rock oriented attack. Sporting some wonderfully trashy electric guitar,
Bolan-penned numbers such as "Jewel", "Beltane Walk",
"Is It Love?" and "Seagull Woman" were far more
accessible than earlier efforts. Elsewhere, "One Inch Rock" and
"The Wizard" were remakes of earlier Tyrannosaurus Rex efforts,
while Reprise arranged for the previously released "Ride a White
Swan" to be added to the American release track listing. Benfitting
from first rate production and arrangements (including prominent backing
vocals from ex-Turtles Howard Kaylan and Mark Volman (aka Flo and Eddie)),
to our ears the collection was far better than anything they'd previously
done. "Swan" also proved to the duo's first major hit, peaking at
#13 in the UK and #188 in the States. Following it's release Bolan also
moved to expand the band, adding bass player Steve Currie and former Legend
drummer Bill Fifield (aka Bill Legend) to the line up. Bolan and company
then began an extended tour, tightening up their act as they played though
out England. (The album was originally released with a gatefold sleeve.) 1.) The Children of Rarn (Marc Bolan) - (side 2) 1.) Beltane Walk (Marc Bolan) -
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Genre: rock Rating: ***** (5 stars) Title: Electric Warrior Company: Reprise Catalog: RS-6466 Year: 1971 Country/State: UK Grade (cover/record): VG / VG Comments: gatefold sleeve; minor wear Available: 1 Catalog ID: 4995 Price: $10.00
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1971's Tony Visconti produced "Electric Warrior" marked Marc Bolan's first album working with a full band (the new recruits including bassist bassist Steve Currie and drummer Bill Legend). In addition to the mega hit 'Bang a Gong (Get It On) which was re-titled 'Get It On' in an effort to protect American audiences form bad influences, the album served as a near perfect showcase for Bolan's new found blend of hippie-trippy philosophy (the album sported some of the era's goofiest lyrics), electric power-pop moves and blatant Chuck Berry-rips. On the surface it didn't sound like a particularly appealing combination, but Bolan was smart enough to add lots of makeup and even more sex to the mix. Call it prototype glam, though with a distinctive commercial bent. Be sure to check out the hysterical 'Jeepster'. Easily one of the best car = sex songs ever. The album's other winning ingredient was the sense of fun it exuded. On tracks like 'Mambo Sun', 'Monolith' and the roaring 'Rip Off' Bolan and company sounded like they were having a blast recording that album and didn't care what anyone thought. The set wasn't perfect, but came damn close with the only real disappointment being the lame blues-rocker 'Lean Woman Blues'. With T.Rex-mania in full swing in the UK the album had no trouble going to the top of the charts. Ironically, in a couple of interviews Bolan readily admit that the album's updated sound was intended to capture an American audience. Unfortunately it wasn't an overwhelming success, though powered by 'Get It On' it hit # 32 in the US.
And the singles drawn from the album were:
- 'Get It On' b/w 'Raw Ramp' (Reprise catalog number 1032) - 'Jeepster' b/w 'Rip Off' (Reprise catalog number 1056)
"Electric
Warrior" track listing: 1.) Mambo Sun (Marc Bolan) - 3:28 2.) Cosmic Dancer (Marc Bolan) - 4:27 3.) Jeepster (Marc Bolan) - 4:10 4.) Monolith (Marc Bolan) - 3:45 5.) Lean Woman
Blues (Marc Bolan) - 3:00 (side 2) 1.) Get It On (Marc Bolan) - 4:26 2.) Planet Queen (Marc Bolan) - 3:11 3.) Girl (Marc Bolan) - 2:30 4.) The Motivator (Marc Bolan) - 3:59 5.) Life's a Gas (Marc Bolan) - 2:22 6.) Rip Off (Marc Bolan) - 3:39
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Genre: rock Rating: *** (3 stars) Title: Slider Company: Reprise Catalog: MS-2095 Year: 1972 Country/State: UK Grade (cover/record): VG+ / VG+ Comments: gatefold sleeve Available: 1 Catalog ID: 4 Price: $8.00 |
Although the band
only enjoyed moderate success in the States (most of it a result of the
single "Bang a Gong), during the 1971-72 timeframe, they scored an
impressive streak of top-10 English chart hits. That success led to
comparisons with The Beatles' own successes. and a series of exhausting
tours, television appearances and interviews. Unfortunately, it wasn't
without costs including the breakup of Bolan's marriage and further
deterioration of his already poor health. Amidst all of the activity, Bolan
and company somehow found time to record a new album. With Visconti again
producing, 1972's "The Slider"
did little to tamper with the band's formula for success. Showcasing Bolan's
limited, but appealing, voice, material such as the title track "Spaceball
Richochet", "Rock On" and "Baby Boomerang" seldom
strayed far from fuzz guitar propelled pop-rock. Thanks to Visconti, the
sound may have been a little denser; Bolan's guitar given a little more
spotlight, but the overall sound remained easygoing and enthusiastic. It was
hard not to get sucked into the album's groove, even if Bolan's penchant for
sophomoric poetry and dumsh*t scifi lyrics left you scratching your head
("Ballrooms of Mars"). Supported by his appearance in the film
"Born To Boogie" and a pair of English top charting singles
("Metal Guru" and "Telegram Sam" - the latter a pure
knock off of "Bang a Gong"), the collection proved a massive
English hit. Peaking at #17 the album also became Bolan's most successful
American release. (The LP was originally released with a gatefold sleeve.) 1.) Metal Guru (Marc Bolan) - (side 2) 1.) Buick Mackrane (Marc Bolan) -
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Genre: rock Rating: *** (3 stars) Title: Light of Love Company: Casablanca Catalog: NBLP 7005 Year: 1974 Country/State: UK Grade (cover/record): VG / VG+ Comments: in torn shrink wrap (opened); small seam split 0.5: along top edge Available: 1 Catalog ID: 6352 Price: $9.00
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The fact Marc Bolan was forced to sign with a label like Neil Bogart's newly-formed dance-oriented Casablanca was a pretty good indicator that his career was in trouble. Released in 1974, the US-only "Light of Love" was actually a compilation set, pulling together three songs from 1973's "Zinc Alloy and the Hidden Riders of Tomorrow" (Teenage Dream', 'Explosive Mouth' and 'Venus Loon') and sight tracks recorded for Bolan's planned UK follow-on "Bolan's Zip Gun". Having ended his long-standing partnership with producer Tony Visconti, the album found Bolan stepping into the role of producer. You might have expected a monumental change like that to have a major change on Bolan's overall sound, but it didn't. Bolan's unique glam-pop seemed largely unchanged with most of these eleven songs underscoring Bolan's simplistic song structures - I frequently find myself thinking, wow I could have written something like that. At the same time, the album did have kind of a stitched together feel. Without a lot of effort most folks could probably figure out which songs were from the earlier "Zinc" LP - just listen for the muddy production values.
- Yeah, I know it was a comeback hit for Bolan and company, but I've got to tell you that 'Light of Love' may have been one of the worst things the man ever recorded. A hideous melody that sounds like it was cobbled together in about thirty seconds with even dumber lyrics (here should be a lawa against having that many la-la-las in a song), and a simply abysmal performance. Hard to tell Bolan was even awake for this one. The only thing worse was the accompanying video which you can see on YouTube: http://www.youtube.com/watch?v=3icbQfh_bAc rating: ** stars - Admittedly 'Solid Baby' had a certain slinky throw-away charm, but beyond the title repeated time after time, there wasn't a great deal to the song. rating: ** stars - No matter what you thought about Bolan's talents (or lack thereof), you had to admit the man could occasionally crank out a catchy pop ditty - witness 'Precious Star'. A breezy slice of top-40 pop with one of those instantly recognizable Bolan hooks, the only complaint on this one came in the form of the needless screechy female backing vocals. This one would have made a nice single - far better than the title track. rating: **** stars - Deciding to give '50s-styled R&B a shot was probably a concept that looked better on paper than in actual execution. Bolan simply didn't have the kind of voice needed to pull the genre off and trying to camouflage those shortcomings with an army of shrill female backing singers only served to underscore his vocal limitations. Thoroughly boring and it seems to go on and on and on .... rating: ** stars - A classic slice of Bolan glam-rock, 'Space Boss' had the same lyrical depth as a toothpaste commercial, but then who cared since this was intended as throwaway pop fodder. Mindless fun and actually kind of funky, though the female backing singers remained an major source of irritation. rating: *** stars - One of three tracks pulled from his last UK LP, 'Think Zinc' suffered from horrible sound, but was still one of the better performances. Nowhere near as commercial as some of the other tracks, the song's tougher sound was actually a benefit, showing Bolan was capable of handling more conventional rock material. Yeah, the female backing singers were here as well. rating: *** stars - 'Till Dawn' was another track that came close to capturing some of the earlier magic. Yeah, the song underscored what a limited voice Bolan had (he was very shaky on this one), but the song had one of the album's better melodies and there was actually a memorable guitar solo. rating: *** stars - A top-20 UK hit, 'Teenage Dream' is another track that's always been a mystery to my ears. I've simply never understood this heavily orchestrated ballad's appeal. Bad Mott the Hoople ? Courtesy of YouTube you can check it out yourself: Here's a solo Bolan lip synching the song on the German Disco television show: http://www.youtube.com/watch?v=gt-f8un0Nfw rating: ** stars - Just when you'd given up on Bolan he trots out another cute, funny, and catchy number and one of the album's best performance - 'Girl In the Thunderbolt Suit'. rating: **** stars - Metal funky ? I guess that would describe 'Explosive Mouth' as well as anything I've heard. Kicked along by plenty of fuzz guitar and Bolan's slurred vocals you had to admit there was something jarring in the lyrics "I wanna lay my lips on your explosive mouth ..." Always wondered why the song faded out so early. rating: *** stars - I guess I always
figured I was just losing something in the translation 'cause the 'Venus
Loon' lyrics were just a complete puzzle to my American ears. And then
one day I happened to stumbled across the actual lyrics ... "Slipshod
gymslip in my neighborhood, Empty head, steel bed, Dipseys no good. All
alone, no telephone, to hype up my baby, Goin' to see my baby in the
afternoon, Goin' to take my baby on a Venus loon ...".
You tell me. Musically and stylistically this was prototypical T.Rex -
loud, brash, and catchy in a dumb, radio-friendly fashion.
rating: *** stars The collection included a pair of UK singles:
- 1973's 'Teenage Dream' b/w 'Satisfaction Pony' (EMI catalog number MARC 7) - 1974's 'Light of Love' b/w 'Explosive Mouth' (EMI catalog number MARC 8)
Bolan and company returned to the States touring in support of the LP, but American sales were poor. Being paired with the likes of Black Oak Arkansas and Blue Oyster Cult probably didn't help. Adding to his problems, Bolan's next UK studio album "Bolan's Zip Gun" wasn't helped by the fact eight of the tracks had appeared on the "Light of Love" album which had been heavily imported into the UK.
"Light of Love" track listing: 1.) Light of Love (Marc Bolan) - 3:16 2.) Solid Baby (Marc Bolan) - 2:37 3.) Precious Star (Marc Bolan) - 2:51 4.) Token of My Love (Marc Bolan) - 3;39 5.) Space Boss (Marc Bolan) - 2:47 6.) Think
Zinc (Marc Bolan - 3:21 (side 2) 1.) Till Dawn (Marc Bolan) - 3:01 2.) Teenage Dream (Marc Bolan) - 4:58 3.) Girl In the Thunderbolt Suit (Marc Bolan) - 2:19 4.) Explosive Mouth (Marc Bolan) - 2:25 5.) Venus Loon (Marc Bolan) - 3:02
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