Two Friends
Band members Related acts
line up x (1971-72) - Chip Carpenter -- rhythm guitar, acoustic guitar - Bucky Wiener -- lead guitar, acoustic guitar
supporting musicians (1972) - Harry Bluestone -- violin - Ann Goodman -- cello - Jim Keltner -- drums, percussion - Bob Morin -- drums, percussion - Ray Neipolitin -- bass - Joe Osborne -- bass - John Raines -- drums - Michel Rubini -- piano, keyboards
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- none known
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Genre: folk-rock Rating: **** (4 stars) Title: Two Friends Company: Natural Resources Catalog: NR-101L Country/State: Los Angeles, California Grade (cover/record): VG+/VG+ Comments: fold out sleeve Available: 1 Catalog ID: -- Price: $30.00
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The mid-'70s found Motown trying to break into the pop and rock markets via subsidiary labels like Rare Earth and the short-lived Natural Resources (this was the first LP released on Natural Resources). Knowing nothing about the pair's backgrounds, I've always been curious as to how singer/guitarists Chip Carpenter and Bucky Wiener attracted the label's attention. They clearly weren't groomed by the Motown organization as future superstars, though there's an online reference claiming the pair were each paid $6,000 and given a moped for their work.
Produced
by the late Tom Wilson and backed by members of the famed Wrecking Crew,
1972's "Two Friends" was an unexpected surprise. The
album featured eleven original tracks written collaborative and separately by
Carpenter and Wiener. For a pair of newbies the results were
impressive. Yes, it was easy to spot their influences - early
America, CS&N, Neil Yo
"Two
Friends" track listing: 1.) Long Way Hard Road (Chip Carpenter - Bucky Wiener) - 3:45 rating: **** stars Based on earlier reviews my expectations for this album were marginal. Once again I was wrong. Sporting a pretty piano propelled melody, the ballad "Long Way Hard Road" recalled a mix between early America (check out the "la-las") and CSN&Y (emphasis on Stills and Young). Lovely opening. 2.) Must Be the Wrath (Bucky Wiener - Chip Carpenter) - 4:26 rating: **** stars With backing from the Wrecking Crew "Must Be the Wrath" was the album's toughest, most rock-oriented tune. With a touch of CSN&Y-styled social commentary and some Steven Stills-flavored lead guitar, It was also one of the standout performances. The song was used as the "B" side on the French-only "Move with the Music" 45. 3.) Vickie (Bucky Wiener) - 3:48 rating: ** stars "Vickie" was a pretty, but pedestrian "heartbreak" country-rock ballad. I'll add a pedal steel guitar warning to this one ... 4.) Falling Through My Dreams (Chip Carpenter) - 2:27 rating: ** stars A bouncy piano powered number, Carpenter's "Falling Through My Dreams" took the sound in a country direction. 5.) Set Your Sails (Bucky Wiener) - 4:23 rating: **** stars The orchestrated ballad "Set Your Sails" would not have sounded out of place on a CSN&Y album.
(side
2) The atypical dance-ready "Move with the Music" opened up with a funky Joe Osborne bass line, plenty of Latin percussion and bouncy horn charts. Shame it was so short. The song was tapped as a single in France:
- 1972's "Move with the Music" b/w "Must Be the Wrath" (Rare Earth catalog number 2C006-93853)
2.) Old South Bend (Bucky Wiener - Chip Carpenter) - 2:27 rating: *** stars "Old South Bend" offered up another sensitive singer-songwriter ballad. Pretty, but again forgettable. 3.) Can’t Find Home (Chip Carpenter) - 3:37 rating: *** stars Another acoustic ballad, "Can’t Find Home" was worth hearing for the tasty acoustic guitars. 4.) Now That It’s Over (Bucky Wiener - Chip Carpenter) - 3:09 rating: **** stars Sporting a breezy melody and supported by the Wrecking Crew, "Now That It’s Over" was the album's most pop-oriented performance. Nice track to hear the pair's individual voices and their blended harmonies. Michel Rubin on keyboards and another nice bass line from Joe Osborne. Would have made a nice single. 5.) Geri (Bucky Wiener) - 3:09 rating: *** stars ASB ... another sweet ballad. 6.) I’ll Be Free (Bucky Wiener - Chip Carpenter) -1:38 rating: **** stars Featuring Harry Bluestone on violin and Ann Goodman on cello, "I'll Be Free" was the album's prettiest, albeit briefest performance. Yes, another ballad, but the fragile, almost classical arrangement was arresting.
Taken in Death Valley, the Mia Plesser cover photo has always reminded me of an album released by the band Summerhill.
© Scott R. Blackerby July 2025
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